Composer, Arranger Orchestral

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: One project I’m especially proud of is Wolfoo and the Battle of the Three Realms, a theatrical film release. I worked as the film composer, responsible for creating and developing the musical score that supports the story, emotion, and pacing of the film. My role involved writing music closely aligned with the picture, ensuring each scene’s emotional timing, structure, and transitions were enhanced through music. The project was mixed by Dotby Almos, which I’m very proud of as part of the overall production.

Q: What are you working on at the moment?

A: At the moment, I am working on new film scoring pieces, piano-driven compositions, and modern arrangements, while continuing to perform live as a musician. I am also developing my sound across cinematic and emotional storytelling projects.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: I don’t specifically recommend individuals, but I often collaborate with other professionals across production, mixing, and mastering. I’m happy to work alongside trusted specialists depending on the needs of each project.

Q: Analog or digital and why?

A: I work primarily in the digital domain because it allows precise control over timing, structure, and emotional detail, which is essential for film scoring. I also have a strong interest in analog gear for its warmth and character, but I currently focus on maximizing what I can achieve within a digital workflow. Ultimately, my priority is always how the music serves the picture and storytelling, regardless of the tools used.

Q: What's your 'promise' to your clients?

A: My promise is to deliver on time, strictly follow the agreed brief, and honor all previously agreed terms and commitments throughout the project.

Q: What do you like most about your job?

A: What I like most about my job is turning emotion and storytelling into music. I enjoy shaping sound to support a visual narrative and seeing how music can completely change the impact of a scene.

Q: What questions do customers most commonly ask you? What's your answer?

A: Clients most commonly ask about style direction, references, timeline, and revision process. My answer is always that the best results come from clear communication of the emotional vision, strong references, and a well-defined creative direction from the start.

Q: What's the biggest misconception about what you do?

A: The biggest misconception is that film music is simply added at the end. In reality, it is defined and positioned from the beginning of the project, even though it is often executed in the final stages of production. Its role is shaped early through storytelling and timing considerations.

Q: What questions do you ask prospective clients?

A: I usually start by understanding the genre, the director’s musical vision, and how important music is within the overall project. Then I look at the visual script, including timing, scene structure, and key emotional points (in and out). I also consider dialogue and sound effects to avoid overlap and ensure clarity in the mix. Ideally, I prefer working with near-final picture or final files, since film music is written to frame-level timing where every second matters. A professional workflow saves time for both sides and ensures the music truly supports the film.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Look for someone who understands the music production process and the strengths of music itself. The best results come when both sides understand the full creative process and communicate clearly throughout the project.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: A laptop with my DAW, orchestral and piano libraries, a MIDI keyboard, studio headphones, and an audio interface to keep creating music anywhere.

Q: What was your career path? How long have you been doing this?

A: I have been performing in live bands for around 18 years and continue to perform actively. I have worked as an arranger for about 15 years and have been composing music for film for the past 6 years. My experience spans performance, arrangement, and film scoring, all focused on storytelling and emotional impact.

Q: How would you describe your style?

A: My style is cinematic and emotionally driven, blending piano, orchestral elements, and modern arrangements to support storytelling and visual impact.

Q: Which artist would you like to work with and why?

A: I would love to collaborate with filmmakers and artists who focus on storytelling and emotional depth, where music plays a key role in shaping the narrative and overall impact.

Q: Can you share one music production tip?

A: The most important principle in music production is elevating the film’s visuals and story. Every musical decision and arrangement choice should serve the emotion, narrative, and impact of the scene.

Q: What type of music do you usually work on?

A: I mainly work on cinematic and film scoring music, along with emotional piano pieces and pop/rock arrangements. My focus is on music that carries strong emotion and supports storytelling.

Q: What's your strongest skill?

A: My strongest skill is shaping emotional and cinematic music with a clear artistic direction. I bring a strong sense of storytelling and musical identity to every project.

Q: What do you bring to a song?

A: I bring a fresh perspective and help define a unique musical identity for each project, while respecting the client’s vision. The goal is to create something distinctive that truly connects with the audience.

Q: What's your typical work process?

A: I start by understanding the client’s vision, references, and emotional direction. Then I create a first draft quickly for feedback. After that, I refine the arrangement, sound, and details until the final track is polished and ready.

Q: Tell us about your studio setup.

A: I work fully in-the-box using a DAW-based setup, focusing on virtual instruments and orchestral libraries. My workflow is optimized for composing, arranging, and producing complete tracks with clarity and emotional impact.

Q: What other musicians or music production professionals inspire you?

A: I’m inspired by cinematic film scores, emotional piano music, and modern pop/rock productions. I focus on how music can tell a story and create strong emotional impact.

Q: Describe the most common type of work you do for your clients.

A: I mainly create original music for visual media and songs. This includes film scoring, emotional piano compositions, and arranging/producing tracks for pop and rock artists, focusing on storytelling and strong emotional impact.