Keep the vibe alive!
Low mix & master rates, with a quick turnaround
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Credits
Interview with Didelot
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Just finished mixing & mastering Anna Mae's new album If I'm Being Honest (with one single that just made it to Spotify's Best New Pop playlist). Super happy with how it turned out, & love watching stuff I've worked on climb the charts
Q: What are you working on at the moment?
A: Mixing & mastering singles for 3 clients
Q: Analog or digital and why?
A: Both, but leaning more to digital. We live in a great era for software
Q: What's your 'promise' to your clients?
A: You're gonna love what you hear
Q: What do you like most about your job?
A: Getting to hear new music all the time before it's released. Helping artists get their final vision to translate through the speakers
Q: What questions do customers most commonly ask you? What's your answer?
A: Can I get the (insert instrument) turned up/down? - Hell yeah!
Q: What's the biggest misconception about what you do?
A: You need to be afraid to ask the mix engineer for special requests
Q: What questions do you ask prospective clients?
A: Do you have a reference mix you'd like to keep the vibe of? What's the deadline? What platforms do you plan on releasing the work through?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure to communicate exactly what you want! Don't be afraid to ask questions
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Macbook Pro, Focal Twins, acoustic guitar, Fender Jazz, Sony C-800
Q: What was your career path? How long have you been doing this?
A: Just left Tree Sound Studios in ATL after working there for over a decade. Decided to open up my own studio last year
Q: How would you describe your style?
A: Current & unique
Q: Which artist would you like to work with and why?
A: The Weeknd - love his sound & style
Q: Can you share one music production tip?
A: Parallel processing... on almost everything!
Q: What type of music do you usually work on?
A: All kinds! Lately have had a lot of work with pop, hip hop, & folk
Q: What's your strongest skill?
A: Clarity
Q: What do you bring to a song?
A: Cleaning up & enhancing a song, while keeping the original vibe/feel. Getting drums to knock while keeping the vocals up front & center. Also getting songs to the correct levels for streaming services.
Q: Tell us about your studio setup.
A: Pro Tools with Sonarworks Reference 4. Focal Twins. UAD, Waves, Slate Digital
Q: Describe the most common type of work you do for your clients.
A: Mixing & mastering services
- Mixing EngineerAverage price - $350 per song
- Mastering EngineerAverage price - $50 per song
- Vocal TuningAverage price - $50 per track
10 revisions for mixes, & 3 revisions for mastering (however, I am very flexible on this). I want you to be 100% satisfied with the service. Typical turn around time depends on the job.
- UAD
- Waves
- FabFilter
- iZotope