
Top-tier Music Producer & Mix Engineer with 10+ years of experience. I've worked on major records for Tamer Hosny, Mohamed Hamaki, Ahmed Saad, Rami Gamal, Yara & more, delivering modern, emotional, global-quality productions.
I’m a music producer, arranger, and mix engineer with 10+ years of experience creating modern Pop, Afro, Trap, R&B, and Arabic Pop with a global edge.
I’ve worked on major records for leading Middle Eastern artists including Tamer Hosny, Mohamed Hamaki, Ahmed Saad, Rami Gamal, Yara, and more. My productions have reached millions across radio, TV, and digital platforms.
I specialize in turning simple ideas—voice notes, demos, or acapellas—into fully produced, release-ready tracks. My workflow focuses on emotion, clarity, and unique sonic identity. I deliver clean, wide mixes with powerful, polished vocals.
WHAT I OFFER:
• Full Production
• Beat Production (Pop, Afro, Trap, R&B)
• Ghost Production
• Arrangement & Additional Production
• Vocal Production (Comping, Tuning, FX)
• Mixing
• Mastering
WORK PROCESS:
Clear communication, regular updates, and collaborative direction. Your vision leads every step of the process.
MY PROMISE:
I deliver industry-level sound, fast turnaround, and unlimited revisions until the track is perfect. Your music will receive the same level of focus and quality I give to major-artist projects.
Let’s create something unforgettable.
Send me a note through the contact button above.
Credits
Languages
- Arabic
- English
Interview with Mahmoud Sabry
Q: Tell us about your studio setup.
A: Neumann Microphone, Avalon Tube Preamp, Universal Audio Apollo Interface, ADAM Audio Monitors, KRK Rokit 5 G4, Yamaha HS5, Beyerdynamic DT770 Pro, UAD Plugins, FabFilter, Waves, iZotope, Melodyne, Auto-Tune, FL Studio, Omnisphere, Nexus.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I produced and arranged a track for a major artist in Egypt where I combined Afro drums, pop melodies, and emotional sound design. The song performed extremely well and connected deeply with listeners—my goal in every project.
Q: What are you working on at the moment?
A: I’m currently producing Afro-pop and Arabic pop tracks for several artists and mixing two singles for upcoming releases.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not personally, but I always recommend clients choose engineers with strong emotional understanding and clean sonic references.
Q: Analog or digital and why?
A: A hybrid approach. Analog adds warmth and depth, digital adds precision and flexibility. The best tracks use both worlds.
Q: What's your 'promise' to your clients?
A: I’ll deliver a clean, modern, industry-level sound that represents you and your story.
Q: What do you like most about your job?
A: Turning an artist’s idea into a real, emotional, powerful piece of music.
Q: What questions do customers most commonly ask you? What's your answer?
A: “How fast can you deliver?” → 3–7 days depending on the project, with clear communication.
Q: What's the biggest misconception about what you do?
A: That music production is “just adding sounds.” It’s storytelling, emotion shaping, and technical precision.
Q: What questions do you ask prospective clients?
A: What emotion do you want your listeners to feel? Who are your biggest inspirations? Do you have a reference track? What’s your deadline?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Choose someone who understands your vision emotionally—not just technically. Sound is a feeling before it becomes a waveform.
Q: What was your career path? How long have you been doing this?
A: I’ve been producing and mixing music for over 10 years, working with top artists in Egypt and the Middle East including Tamer Hosny, Hamaki, Rami Gamal, Ahmed Saad, Hany Shaker, and Yara.
Q: How would you describe your style?
A: Emotional, modern, clean, and atmospheric with strong grooves and powerful vocals.
Q: Which artist would you like to work with and why?
A: The Weeknd. His sound is deep, cinematic, emotional, and gives room for experimental production—something that matches my style perfectly.
Q: Can you share one music production tip?
A: Always leave space. Great production is not about adding more sounds—it’s about removing the sounds that block the emotion.
Q: What type of music do you usually work on?
A: Pop, Afro, Trap, R&B, and Arabic Pop with global influence.
Q: What's your strongest skill?
A: Turning simple ideas into full, powerful productions with clean vocal mixing and wide, modern arrangements.
Q: What do you bring to a song?
A: Emotion, clarity, and identity. I make the song feel alive, modern, and unique to the artist. Every sound has a purpose.
Q: What's your typical work process?
A: I start by understanding the artist’s emotion and vision. Then I create the arrangement, design the sound, build the groove, polish the vocals, and mix/master the track to a global, radio-ready standard.
Q: What other musicians or music production professionals inspire you?
A: The Weeknd’s sonic world, Drake’s atmosphere, Hamaki’s modern pop, and producers like Max Martin, Metro Boomin, and Hamid Al Shaeri for their emotional and clean productions.
Q: Describe the most common type of work you do for your clients.
A: I produce full tracks from scratch (beat, arrangement, sound design), and I mix & master vocals for artists who want a clean, powerful, modern sound.

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50% deposits non-refundable on production services. I offer as many revisions as needed until you are 100% with the outcome of the track.
- Neumann Microphone
- Avalon Tube Preamp
- Universal Audio Apollo Interface
- ADAM Audio Monitors
- KRK Rokit 5 G4
- Yamaha HS5
- Beyerdynamic DT770 Pro
- UAD Plugins
- FabFilter
- Waves
- iZotope
- Melodyne
- Auto-Tune
- FL Studio
- Omnisphere
- Nexus.



