Five time Grammy Award Nominee based out of Miami, my name is Javier and my goal as a Mixer is to fully understand the Artist vision, take advantage of every sound within the session to make your dream Mix possible.
Stereo and Dolby Atmos Mixer
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Interview with Javier "lakambra" Delgado
Q: Analog or digital and why?
A: I like Hybrid, I mix on Pro Tools but my Stereo Mix Bus is going out to a Wes Audio Dione Bus Compressor and a pair of Neve 542 Tape emulators. I love the color that the Analog rig is adding to my mixes.
Q: How would you describe your style?
A: Rhythm base driven mixes.
Q: What type of music do you usually work on?
A: Urban, Latin Urban, Hip Hop, Reggae, Folk & Pop.
Q: What's your typical work process?
A: When I'm mixing a song I usually import all tracks to a Pro Tools session (if it's not in Pro Tools already) then I organize tracks by type and add color coding, then listen to the song several times and start to make a ruff mix only with faders and pan knobs so I can get the vibe of the song. and finally I import my Aux tracks and begin to Mix!!!
Q: Describe the most common type of work you do for your clients.
A: Mixing / Programming Drums / Live Drums or Hybrid.
- Mixing EngineerAverage price - $500 per song
- Mastering EngineerAverage price - $100 per song
- Dolby Atmos & Immersive AudioAverage price - $500 per song
- Daw: Pro Tools
- Interface: Apollo X8
- Dangerous Audio Dbox Summing
- Dangerous Audio AD+ A/D converter
- Analog Compressors: Emperical Labs Distressor
- dbx 160X
- WesAudio Dione
- Analog Saturation: Rupert Neve Tape Emulation 542.
