I've toured the world as a bandleader and sideman, recorded on a dozen albums, worked as a session musician in New York, scored TV shows and composed/arranged for orchestra and film. Let me bring my expertise to your project.
As multidimensional performer, composer, and educator, I'm known for my instrumental virtuosity and creativity. I venture to make bold, playful statements by bending lines between folk, chamber, and jazz. With education from Princeton, IRCAM, the Conservatorium van Amsterdam, and University of Michigan, I've performed on such stages as The Kennedy Center and has toured across the United States, Estonia, Poland, Sweden, Slovenia, Ireland, and The Netherlands.
I want to bring my skills as a mandolinist, bassist (electric and upright), guitarist, and composer/arranger to your project. I have a voracious musical appetite, and can't wait to connect with you. I have an acoustically-treated space and the equipment, software, and expertise ready to make some beautiful sounds with you.
Send me a note through the contact button above.
1 Reviews - 1 Repeat ClientEndorse Noah Fishman
Interview with Noah Fishman
Q: What are you working on at the moment?
A: When not scoring or recording in the studio for private clients, I perform locally on bass and mandolin around New England.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Certainly! Drop a line for my recommendations.
Q: Analog or digital and why?
A: I've got both! Nothing beats a warm, clean analog signal path and a versatile collection of software.
Q: What do you bring to a song?
Q: Tell us about your studio setup.
A: I run everything through a UA 4-710D into a Focusrite Clarett interface. My bass goes through an Aguilar amp and Bergantino cabinet. I record my mandolin and upright bass with an array of high-quality microphones. I work in Logic and do all of my engraving/copying in Sibelius.
Q: Describe the most common type of work you do for your clients.
A: I most commonly do session work on bass or mandolin. After that, scoring and string arrangements, then recording and engineering.