A guaranteed great-sounding mix by an experienced engineer.
Hi.
I am a 22-year-old sound technician from Slovenia, who, from a young age, found interest in anything music-related; be it radio broadcasts, mixing services, live sound... All of this interest was planted in me by my dad, who, for a long time, worked as the biggest radio host in my country, so I always had audio tech to play around with.
In 2016, I started taking mixing more seriously and decided to become a full-time audio engineer. Since then, I have been an apprentice at many studios and production companies across Slovenia and have been taken under the wing by the most renowned engineers across the country with whom I have forged strong friendships.
As it currently stands, I am a live sound technician both for bands, and venues, while I continue my work as a studio engineer for bands in my area.
Since I am an unknown engineer on the internet, my prices reflect that. They do not, however, reflect the quality of my services. I have experience working with artists of many genres (rap, rock, metal...) so I feel comfortable mixing nearly all genres.
Reach out, and let's get you sounding your best!
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Interview with Aljaž Špehar
Q: Analog or digital and why?
A: Digital since it's easiest, fastest, and most convenient, analog if you have the time, space, and money.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Just communicate clearly and timely, and all will be well.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Acoustic guitar, Les Paul, Quad cortex, pair of monitors.
Q: What was your career path? How long have you been doing this?
A: Started learning by myself in 2016, and as time went on started taking internships in studio and production companies around Slovenia, forging strong friendships with the most renowned people in the industry.
Q: How would you describe your style?
A: Inspired by dynamic records of the 90's with the modern touch for clarity, and bass.
Q: Can you share one music production tip?
A: 60% of what constitutes a great snare sound is in the overheads.
Q: What type of music do you usually work on?
A: Rock and metal.
Q: What's your strongest skill?
A: Working off of existing ideas.
Q: What's your typical work process?
A: Drums, bass, guitars, synths, percs, vocals.
Q: Describe the most common type of work you do for your clients.
A: Regarding studio work - mixing and mastering. Regarding live work - flying PA, prepping systems for calibration, lead sound technician
I was the Mixing Engineer in this production
- Mixing EngineerAverage price - $75 per song
- Mastering EngineerAverage price - $50 per song
- EditingAverage price - $50 per track
- Electric GuitarAverage price - $70 per song
- Bass ElectricAverage price - $70 per song
- Acoustic GuitarAverage price - $70 per song
