Composition for Symphony

drymeadow on SoundBetter

Creating Adventure and Inspiration while promoting interaction. Every piece of creativity should be rewarding and mostly interactive or an intent to cause interaction. Writing composition for music and the places of use should be beneficial paving for Optimization.

Founder and Chief Executive Officer |
Mathematician, Chemist and Composer. Prior to DART Meadow, Justin Independently researched Chemistry and Physics with a great passion for Propulsion plug-and-play Navigation building upon an extensive Education background in preparation for vision temperature technology proportional to Aerospace. Justin has extensive Education in Mathematics and Drafting from various schools as well intense in-depth hands on Education in music composition acoustics.

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Interview with drymeadow

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: The Moment is later in life and I am just now cracking open the special reserve for my first time.

  3. Q: What are you working on at the moment?

  4. A: Aerospace and Composition. As far as Composition I am in contract to complete my classical quintet written to appraise Dvorak.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: I’m at still new here at sound better and anticipate further journey.

  7. Q: Analog or digital and why?

  8. A: Both. They can complement the other very well especially when utilizing the very foundation the the two as part of the work itself.

  9. Q: What's your 'promise' to your clients?

  10. A: Completion and change of no going back.

  11. Q: What do you like most about your job?

  12. A: Research, Education and Creativity.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: More So on how something works or on a lighter note my interest.

  15. Q: What's the biggest misconception about what you do?

  16. A: I cannot say there is misconception. What I do - do is necessary just as cooking.

  17. Q: What questions do you ask prospective clients?

  18. A: Is it necessary or would you leave that up to me to determine? The Context of that question should be appropriately illustrated for project blueprint and maintained.

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: Know the method by which they use their hands of measurement in projects, the way hands are used for measuring techniques such as a ruler.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: Knife, Scissors, Hammer, Bag and a Tether. You can harness a blueprint for a foundation with these items for any situation.

  23. Q: What was your career path? How long have you been doing this?

  24. A: Aerospace and Classical because I made the effort to master the elementary.

  25. Q: How would you describe your style?

  26. A: Foreign and Countryside.

  27. Q: Which artist would you like to work with and why?

  28. A: Sydney Sierota for navigation, Grimes for the Journey.

  29. Q: Can you share one music production tip?

  30. A: Sketch and note a blue print for anything required to be plug and play.

  31. Q: What type of music do you usually work on?

  32. A: I Live Compostions that tell a Journey in life and one that will truthfully be.

  33. Q: What's your strongest skill?

  34. A: Hand Writing Compostion from blank Space, no inspiration preparation.

  35. Q: What do you bring to a song?

  36. A: Bright and Warm Story details.

  37. Q: What's your typical work process?

  38. A: Hand Writing. Then Tablet Sketch work and Scoring writing.

  39. Q: Tell us about your studio setup.

  40. A: iPad Pro.

  41. Q: What other musicians or music production professionals inspire you?

  42. A: I love Early Classical music and more modern compositions from early cartoon broadcast eras. When I was younger I fell very much in love with Beethoven, Mozart and other early composers. More recently Composers such as Dvorak.

  43. Q: Describe the most common type of work you do for your clients.

  44. A: My primary job is Aerospace Engineering, Research and Education. The field goes great with Classical Music or Acoustics one is required of the other at all times do any mission for aerospace and engineering. Along with I do classical composition in my free time.

Broadwood by Justin C Venable

I was the Composer : String in this production

GenresSounds Like
  • Ludwig van Beethoven
  • Antonín Dvořák
  • Wolfgang Amadeus Mozart
More Photos
  • Aerospace and AcousticsOct 21, 2022

    Acoustic Science and Education developing in our App: Cotharticren