Classic top-Quality sound, Mixing and Mastering Engineer, just got my degree @ Berklee and I'm ready to rock!
Hey, thanks for reading this.
I've been in the world of music since I was 12 years old when a relative made me visit a record studio, and all I can say is that it was magic!, it opened a new whole world that made me focus on it 100% since that moment, so I did everything on my life to be able to own my own recording studio, and to be able to do what I really love: music.
I've been releasing my own music for a while, and I spent the last 8 years of my life preparing myself to be the best sound engineer out there, studying a degree at Berklee and being super lucky having some of the best teachers in the world.
You can count with me to mix and/or master your tracks, and produce your beats.
Thanks in advance for this opportunity.
Contact me through the green button above and let's get to work.
Credits
- Masters of Hardcore
- Marie Monti
- Yeti 808
- Diana Prince
- Señor Estes
- Louis O Loughlin
- Vorwerk
- Furyan
- Tripp Daly
- Rick Eckboch
- Diamond Lounge
- Samantha T
- High Hyena
- Tenzin Woebhum
- Ubix Owen
- Erik Adams
- Giovanni Sebastiano
- Farruko
- Ceky Viciny
- Yailin La Más Viral
- De La Ghetto
- La Perversa
- Secreto
- shadow blow
- Zion
- Fely
- Rochy RD
- Maikky
- Babalou
- Blackbear
- Alex Petrov
- Louise DaCosta
- Cailum Staats
- Eoghan O Brien
- Austin Leeds
- Dariya Mir
- Asst. Engineer for Mac Miller
- Asst. Engineer for Twenty One Pilots
- Asst. Engineer for Machine Gun Kelly
- Asst. Engineer for TOOL
Interview with Francisco R. Sirvent
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: A track by Gigi Santella and Pinky, will be released soon, I was the mix and mastering engineer. Being able to make a track that sounds exactly with the 40s-50s sound, was a dream I always had!
Q: What are you working on at the moment?
A: Shh!, that's a secret :)
Q: Analog or digital and why?
A: Analog, it's easier to "touch" and work with, and that sound you get... it's impossible to emulate.
Q: What's your 'promise' to your clients?
A: I will give you my best, and I'd love to work with you on the process, talk about it, and find the exact track you are looking for.
Q: What do you like most about your job?
A: Knowing more artists, and learning about them.
Q: What questions do customers most commonly ask you? What's your answer?
A: Can you fix a bad recording? No, the quality of the recording is always the base of a good track.
Q: What's the biggest misconception about what you do?
A: Analog gear REALLY makes a difference.
Q: What questions do you ask prospective clients?
A: What are you trying to achieve, express and transmit with your track?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Just look on their tracks, and find if that's the sound you are looking for.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Chandler Limited Mini Rack Mixer, Retro Instruments Revolver, Apollo x8p, my iMac Pro, Ableton Push 2
Q: What was your career path? How long have you been doing this?
A: Just being able to work and learn from all the artists I work with.
Q: How would you describe your style?
A: Classic and unique.
Q: Which artist would you like to work with and why?
A: Migos!, would love to get a fusion between us and get a magic sound.
Q: Can you share one music production tip?
A: Always allow you enough time to find what you are looking for, it's ok if a track takes you even a year to finish, if it's what you was looking for.
Q: What type of music do you usually work on?
A: Hip Hop, R&B and Trap.
Q: What's your strongest skill?
A: Mixing and Beatmaking.
Q: What do you bring to a song?
A: A vintage touch, as I was raised mostly with the 50s-60s music, so that special and magic sound, is my way to go.
Q: Tell us about your studio setup.
A: Fully Analog setup routed by Pro Tools and Luna.
Q: What other musicians or music production professionals inspire you?
A: Bill Schnee and Andrew Scheps.
Q: Describe the most common type of work you do for your clients.
A: I'm focused on mixing, but I could do mastering and produce your beats.
I was the Producer, Mixing and Master engineer in this production
- Mixing EngineerAverage price - $200 per song
- Mastering EngineerAverage price - $50 per song
- Beat MakerAverage price - $250 per song
Payment must always be placed through Soundbetter.
- Aurora GT4-2
- Audient Asp4816
- Chandler Mini Mixer
- Retro Instruments Revolver
- SSL Fusion
- Mercury Bruder
- Heritage Audio HA-609
- Manley EQP-1A
- Warm Audio Buss Compressor
- Shadow Hills Vandergraph
- Elysia Karacter Saturator
- Wes Audio Hyperion 500
2 mixes for the price of 1, album mixing: 50% of discount (eg, 10 tracks for the price of 5)