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Interview with Nick Lyne
Q: Analog or digital and why?
A: (90%) In the box babyyy
Q: What's your 'promise' to your clients?
A: To deliver a finished product that's in line with the client's artistic vision and brand.
Q: What do you like most about your job?
A: EVERYTHING
Q: What advice do you have for a customer looking to hire a provider like you?
A: If you have clear ideas/ a vision of ho you want your project to sound then i can guarantee you that we'll be able to bring it alive as a team.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook 16 Apollo Twin MIDI Keyboard Telly or Les Paul with hambuckers
Q: How would you describe your style?
A: Its a mix of dark and sensual influences, with an almost cinematic sound in a pop world.
Q: Can you share one music production tip?
A: NEVER USE EQ AS A VOLUME KNOB
Q: What type of music do you usually work on?
A: Mostly pop music
Q: What's your strongest skill?
A: To never abandon a project/song until it reached the best version it can be.
Q: Tell us about your studio setup.
A: MacBook M3 Pro 36gb Focal Solo6 DT 990 Pro & AT-M50x Apollo Twin X (thb3) Nektar midi keyboard (61) FENDER Stratocaster FENDER Telecaster Thinline FENDER Jazz Bass Epiphone j-45
Q: What other musicians or music production professionals inspire you?
A: Ian Kirkpatrick Daniel Nigro Evan Blair Cirkut
Q: What was your career path? How long have you been doing this?
A: Started making trap beats 6 years ago and then transitioned into pop music more recently in 2023
Q: Describe the most common type of work you do for your clients.
A: Custom Beats, Mixing Vocals, Song Production
- ProducerAverage price - $1000 per song
- Full instrumental productionAverage price - $500 per song
- Nessa Barrett
- Isabel LaRosa
- Artemas
- Apollo Twin X
- FENDER Stratocaster
- FENDER Telecaster Thinline
- FENDER Jazz Bass
- Epiphone J-45
- Focal Solo6