Dylan Bernard

Producer/Mixing/Mastering

Dylan Bernard on SoundBetter

Dylan Bernard is a versatile force in the music industry. As a performer, songwriter, producer, and mixing/mastering engineer, Dylan has already made a significant impact. His talent caught the attention of renowned artist "KEY" from the group known as SHINee. His own catalogue has also been streamed over 15 million times across platforms.

Dylan offers a comprehensive range of services as a songwriter, producer, and mixing/mastering engineer. With his exceptional musical prowess and expertise, he brings a unique touch to every project. As a songwriter, Dylan crafts captivating lyrics and melodies that resonate with audiences. As a producer, he has a keen ear for creating dynamic arrangements and capturing the desired mood and atmosphere. In the realm of mixing and mastering, Dylan excels in enhancing the sonic quality of recordings, ensuring a professional and polished sound.

Why hire Dylan Bernard? With his diverse skill set and extensive experience, he brings a wealth of knowledge and creativity to every collaboration. Dylan understands the importance of capturing the essence of an artist's vision and translating it into a captivating musical experience. His attention to detail, technical expertise, and ability to adapt to various genres make him an invaluable asset in the studio. Whether you're an established artist or an emerging talent, hiring Dylan Bernard guarantees a professional, top-notch production that elevates your music to new heights.

Contact me through the green button above and let's get to work.

Languages

  • English

Interview with Dylan Bernard

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: Recently, I produced, mixed and mastered a project for an artist named Nikki Davis. She was in town visiting from Alaska and wanted to create a bunch of songs. The whole time she was here, her writing talent helped guide me to a simple/yet emotional experience that became some of my favorite things I've worked on.

  3. Q: What do you like most about your job?

  4. A: Just seeing where the music takes me if I'm working alone. And if I'm working with an artist or co-collaborator, seeing where it goes with a different take/desire for where we want the song to go. It's truly magical to me either way.

  5. Q: How would you describe your style?

  6. A: Personally I love adding lush background sounds with reverb to really open up a song in certain areas if the artist/song calls for it. It personally takes me somewhere else when I hear a sound hit and then continue to travel, giving em a sort of floaty feeling.

  7. Q: Can you share one music production tip?

  8. A: Reference reference reference. For me it's my starting (and ending) point when I feel inspired to make something. Production can be overwhelming because there are so many different ways you can go about making a song. I believe that picking a song that fits what I want to make keeps my ideas from going too wild and beyond what a song needs. I've also learned that at a certain point, if a song doesn't feel the way you want it to feel, maybe try REMOVING an element that could be covering up the ability to really feel everything that was there before.

  9. Q: What type of music do you usually work on?

  10. A: In recent past I've worked on some R&B and Pop projects but I'm open to all genres.

  11. Q: What's your strongest skill?

  12. A: I would say communication and execution. I also love manipulating samples and other instruments to make them sound new and refreshing.

  13. Q: What do you bring to a song?

  14. A: I bring the ability to pivot quickly on a song idea if an artist wants to change direction. I bring quick production techniques to provide a full song feel to keep the energy strong and inspire the artist and myself to keep working on the song.

  15. Q: What's your typical work process?

  16. A: I have a pretty open process as far as how a song is born. I believe it can start anywhere. Production leading to lyrics and melody or vice versa. In the end, both sides work together in harmony by the time it's finished.

  17. Q: Tell us about your studio setup.

  18. A: Output Studio Desk, Lewitt Pure Tube Microphone, Shure SM7B, Apollo Twin X Interface, Halo Diffuser

  19. Q: What other musicians or music production professionals inspire you?

  20. A: Artists: Jasmine Sullivan, Jacob Collier, Tori Kelly, Lucky Daye, Prince, Yebba, Maeta, Kehlani, H.E.R, Ambré, The Scarlet Opera, Post Malone, Burna Boy, Justin Bieber, Chloe Producers: Kaytranada, Timbaland, Jack Antanoff, Just Blaze, Mirelle The Gemini

  21. Q: Describe the most common type of work you do for your clients.

  22. A: My most common type of work includes collaboration with artists to produce and build out their vision for any song. Including beat making, composing instrumental pieces, tuning vocals and mixing and mastering the entire project. I have also worked with major companies to bring their audio to quality/loudness standards for worldwide distribution.

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Bleeding by Nikki Davis

I was the Engineer, Producer, Mixing and Mastering Engineer in this production

Terms Of Service

Revisions, turn around time and additional costs vary song by song depending on clients needs.

GenresSounds Like
  • Lucky Daye
  • Jazmine Sullivan
  • Jessie Reyez
Gear Highlights
  • Apollo Twin X
  • Universal Audio DLX Microphone
  • Maschine MK3
  • Logic Pro X
  • Valhalla Vintage Verb and Delay
  • Waves
  • Dada Life
  • Sausage Fattener
  • SoundToys 5
  • Oeksound
  • FabFilter
  • etc
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