Marcus Wiles

Producer/Keyboardist/MD

Marcus Wiles on SoundBetter

2x Grammy Nominated Keyboardist and Producer/Songwriter. Credits include Kelsea Ballerini, Danny Gokey, Erin Kinsey, Jordan Feliz, and many others.

What's up! I'm a producer and keyboardist heavily influenced by Pop, Country, Jazz, and Gospel music. I have a wide range of experience not just in the studio as a writer, producer, and session player; but also in the live music environment as a touring Music Director, arranger, and playback engineer with over a decade of experience. I have been blessed to work with artists and on projects spanning a wide range budgets and genres, and find the most joy in partnering with creatives to help bring their vision to life.

Send me a note through the contact button above.

Interview with Marcus Wiles

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: I'm very proud of my work as Jordan Feliz' Music Director. He has trusted me for years now to build his show and cultivate his band. He has allowed me a lot of creative freedom which has given me an opportunity to hone my craft not just as a producer, but as a leader. I'm very grateful for that opportunity. This has had a spill-over effect in my becoming involved in writing and producing music for him as well.

  3. Q: What are you working on at the moment?

  4. A: I just had a sync placement for a song I wrote and produced called "2 Wishes" that will air on Netflix's 'Temptation Island.'

  5. Q: Analog or digital and why?

  6. A: Both! Analog for vibes, digital for precision. You need both!

  7. Q: What's your 'promise' to your clients?

  8. A: I promise to give you everything I have to offer. I don't want to do anything halfway in my life.

  9. Q: What do you like most about your job?

  10. A: When you make one of those songs that only existed deep inside someone's heart at one point. Turning something that didn't have words to describe it into a piece of music that says so much more.

  11. Q: What's the biggest misconception about what you do?

  12. A: That there isn't a vulnerability that has to be present to make good art. I really believe that have the best product, we have to develop trust for each other in this process. That requires vulnerability, and sometimes perhaps even asking difficult questions.

  13. Q: What questions do you ask prospective clients?

  14. A: What are your influences? What are your goals for this project?

  15. Q: What advice do you have for a customer looking to hire a provider like you?

  16. A: Let's both approach this with an open mind. I'm always excited to learn from people, and I appreciate that like-mindedness when I find it.

  17. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  18. A: Assuming I can't just bring my laptop.... Nord Stage 4 Akai MPC Martin D28 My dad's old Telecaster My grandpa's old Deluxe Reverb (1972)

  19. Q: What was your career path? How long have you been doing this?

  20. A: I've been playing music for as long as I can remember. From playing keys in church growing up, playing sax in grade school/college, making beats in my bedroom as a kid, and now playing keys and guitar on the road as a music director professionaly, this is all I've ever known. At some point, people started referring to me as a producer, and from then on, that's probably the best way to describe what I do amongst various environments and activities. I'm 32 currently, so I guess that's how long I've been doing it.

  21. Q: How would you describe your style?

  22. A: Song-forward! Production and ear candy must serve the song and the message of the lyrics, not the other way around.

  23. Q: Which artist would you like to work with and why?

  24. A: Olivia Dean. Her sound is classic and timeless and she seems like a cool person.

  25. Q: Can you share one music production tip?

  26. A: When writing as a producer, it's way more important to find the song before looking for ear candy and the perfect sounds. I believe that's how many people end up only making 8 bar loops forever.

  27. Q: What type of music do you usually work on?

  28. A: Contemporary country, Pop, CCM, Indie pop

  29. Q: What's your strongest skill?

  30. A: I am very knowledgable of keyboards, synths, and music theory. I'm fortunate to have a strong foundation of learned music and gig experience for when deadlines are tight and obstacles present themselves in the production process.

  31. Q: What do you bring to a song?

  32. A: I have a lot of experience with independent and young artists looking for their sound. I have learned to use my skills as an accomplished keyboardist to work efficiently and navigate creative blocks.

  33. Q: What's your typical work process?

  34. A: Completely depends on the role I'm playing and the timeline.

  35. Q: Tell us about your studio setup.

  36. A: Converted bedroom with acoustic treatment, a vibey and comfortable workspace. I'm set up to track vocals, and also have an assortment of guitar and keyboards at my disposal. I regularly host writing sessions as well as tracking sessions and I primarily work out Ableton Live, but am familiar with Logic and Pro Tools as well.

  37. Q: What other musicians or music production professionals inspire you?

  38. A: Gospel, Pop, CCM, Contemporary Country, Jazz, Indie Rock (Mutemath is my favorite band)

  39. Q: Describe the most common type of work you do for your clients.

  40. A: Remote keyboard tracking/synth programming, Demo and Full productions, Live arrangements, live playback prep, national and international touring

Terms Of Service

Keys Tracking: practically unlimited revisions

Producing: 2 Revisions, then 1/2 rate for additional revisions.

Quick Turnaround, 1-3 days unless I communicate otherwise

GenresSounds Like
  • Kelsea Ballerini
  • OneRepublic
  • Elevation Worship
Gear Highlights
  • Nord Stage 4
  • Nord Stage 3
  • Sequential Prophet 6
  • Korg Prologue 8
  • Ableton Live Suite 12
  • Logic Pro
More Photos
More SamplesKeyboards/Synth and/or writer