
Bigger is better. Injecting energy and size into rock and metal songs
Bigger is better. Injecting energy and size into rock and metal songs. Editing, mixing, mastering.
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Credits
Discogs verified credits for Andrew Cruz (2)Languages
- English
Interview with Andrew Cruz
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Nickelback Get Rollin album. Great band, great songs, with production expectations at the highest level
Q: What are you working on at the moment?
A: HAr Rock mixes and mastering Rock and Rap
Q: Analog or digital and why?
A: There is no one without the other but Digital for recall and flexibility. but I never priortize the medium over the song.
Q: What's your 'promise' to your clients?
A: Delivery on time and exceed expectations
Q: What do you like most about your job?
A: Being creative and helping bring a sonic vision to life
Q: What questions do customers most commonly ask you? What's your answer?
A: What files I need and what timeline and how good is my song
Q: What's the biggest misconception about what you do?
A: That mixing can totally overcome sub par production and recording
Q: What questions do you ask prospective clients?
A: due date, how the file delivery is, how labeled and organized the session is, if they have a reference track
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be clear about what you are hoping to achieve and your timeline
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Pro Tools, apoge conversion, Waves plugins, Plugin alliance, neumann speakers
Q: What was your career path? How long have you been doing this?
A: I've been in audio almost 2 decades. I've worked in studio and in the road
Q: How would you describe your style?
A: larger than life. Big, Wide, exciting
Q: Which artist would you like to work with and why?
A: Trent Reznor- trailblazer, innovator, and creator at the highest levels.
Q: Can you share one music production tip?
A: Spend time developing a routine and organizing your workflow so that you spend more time focusing on the creative aspects
Q: What type of music do you usually work on?
A: Hard Rock, Pop, Metal, Rock, Rap
Q: What's your strongest skill?
A: MIxing and Mastering and delivering on time
Q: What do you bring to a song?
A: Size, energy, and processing that allows your track to compete with the songs that are charting
Q: What's your typical work process?
A: prep on day one, mix or master it day two
Q: Tell us about your studio setup.
A: Pro Tools HDX rig, apogee and dangerous converters, too many plugins to count
Q: What other musicians or music production professionals inspire you?
A: Trent Reznor, Mutt Lange, Randy Staub,
Q: Describe the most common type of work you do for your clients.
A: Making songs bigger and better through mixing and mastering. I see the largest amount of Hard Rock but enhoy working on everything from rap to metal
- Mixing EngineerAverage price - $600 per song
- Mastering EngineerAverage price - $90 per song
- EditingAverage price - $125 per track
- Vocal TuningAverage price - $75 per track
- Vocal compingAverage price - $50 per track
- Live SoundAverage price - $400 per concert
- Nickelback
- Alter Bridge
- Three Days Grace
- Pro tools hdx rig
- countless plugins
- dangerous and apogee converters
- Neumann monitoring