
I provide affordable mixing and master services. I solve complicated problems with simple straight forward solutions.I have resources, community and knowledge that many in this biz do not. I do not use Ai and other fake solutions to product epic productions. Everything that is produced is intentionally designed with the 'Master in Mind.'
I've been in the music production scene for almost 39 years. I started in 1986 by working with local bands in Baltimore, Maryland as an apprentice live sound engineer/roadie. Put my way through collage as promoter, engineer and producer for local bands in the region as I completed my BFA in Art & Design at U of Md, Frostburg. Three years ago I decided to become a full-time Mastering Engineer. I have been working nonstop to segway from live production engineering to studio completion; whether be Distros, CD, Tape or Vinyl Mastering through various intensive education programs.
I here to make you shine! I am here to produce world-class Masters. I am here to help you with technical challenges of production, mixing to get me what I need to produce your Masters.
I am not here to coddle you. I am not here to critique your music. I'm not here to motivate you. I am not here to serve too many clients.
I can Master any Genre! Mixing preferences below.
I'm interested in hearing about what you need. I'm here to focus on a few. Shout out.
What you got!?
This is the music business. To do it right takes dedication and time/money. I'm looking for a few clients who want to finalize their productions to the absolute best they can sound at professional clarity at the current industry loudness for each medium needed. It's that's simple. *MP3-SAMPLES!
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
Languages
- English
1 Reviews
Endorse Lou BakerInterview with Lou Baker
Q: What's your strongest skill?
A: My ears. I hear from 30Hz to 20Khz! I can hear a Nyquist low end and top end bounce on a mix/master. I hear what most can not. If you don't hear everything, you should not be mastering anything. My system is dead flat at 100Db. My monitor setup is better than any headphones you can buy. I mix to ear and check with analyzers to confirm. I can describe a EQ curve in detail before seeing it. I can correct rooms without software.
Q: Describe the most common type of work you do for your clients.
A: Mastering, Stem Mastering, SYNC Mastering, Pod-Cast Mastering, Re-Mastering, Restoration & Mixing All.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Recently I was selected as top six of 300 submission due next day remix contest with only VOX provided. I did a Reggae Dub from scratch in 5 hours including the VOX correction/remix. Mix to Master. Placed tied for 3rd. Comments were stellar. The result has sent me to the top in my pro series intensive programs. I'm stoked!
Q: What are you working on at the moment?
A: I am working on samples to share. Some I can not per release terms. Some I am seeking permission based on their contracts. Some I have to convert to MP3 to share here, since everything is in WAV format on file.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Probably. I'd have to look and recommend per case. I have others in my network that are both in my network and part of my collaboration team I already work with and prefer. Some of them are here. . .
Q: Analog or digital and why?
A: Both. Digital for accuracy. Analog for glue.
Q: What's your 'promise' to your clients?
A: Were going to get you from 'Plain Jane' to 'Holy Mother of God - INSANE!' Even if it kills you!
Q: What do you like most about your job?
A: I love to make plain anemic flat crowded plain mixes and turn them into head bobbing knock you to the ground masterpieces in loud dynamic sound at industry standard volume!
Q: What questions do customers most commonly ask you? What's your answer?
A: What do I think? Do I like it? I do objective, not subjective. You want subjective, it's $1000/hr and paid in advance; no refund.
Q: What's the biggest misconception about what you do?
A: That it's natural. It's easy. Everything is a success. Everything is perfection. And, this can be done fast. All of these are a delusion.
Q: What questions do you ask prospective clients?
A: What you got!?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Suck it up. Expect to work. Expect to learn. Expect to be held to a level you are not at yet. Expect results!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Cowbell. Snare. Kick. Drumsticks. Bf Pro Harmonica.
Q: What was your career path? How long have you been doing this?
A: Started in music at 7 years old. Played brass for 11 years. Professional sound and other instruments for now for almost 39 years. I have perfect pitch and timing.
Q: How would you describe your style?
A: Balls to the wall. Kill it!
Q: Which artist would you like to work with and why?
A: Allan Parsons. Everyone is measured against Allan Parsons. Except, Alan Parsons.
Q: Can you share one music production tip?
A: I have one. Crap in. Crap out!
Q: What type of music do you usually work on?
A: I have a catalog of over 80k songs in my library. I really don't have a preference. My goal is to enhance to the point the audience gets goosebumps and the hair on their neck standup. I want the 'Audiophile' to go wide-eyed and repeat my Masters.
Q: What do you bring to a song?
A: I systematically analyze, apply PIE and create a well balance dynamic result which is World-Class.
Q: What's your typical work process?
A: PIE. Find and fix 'Problems. Idiosyncrasies. Then Enhance.'
Q: Tell us about your studio setup.
A: I have a very HQ professional updated home studio. Building a new local one with my partner.
Q: What other musicians or music production professionals inspire you?
A: Allan Parsons.

I was the Mastering Engineer in this production
- Mastering EngineerAverage price - $100 per song
- Podcast Editing & MasteringAverage price - $100 per podcast
- EditingAverage price - $40 per track
- Mixing EngineerAverage price - $400 per song
- Post MixingAverage price - $200 per minute
- RestorationAverage price - $75 per hour
- Live SoundAverage price - $400 per concert
Free consultation/quote. All preview Mixes and Masters in MP3 format with random hiss security. Finals WAV 48Hz/24Bit. Everything intended for fast turn around.Delays per technical unlikely. Possible.
- I work from a well equiped professional home expanding studio with the latest and greatest. I work 80% in the box. I have a partner and we are building a new local ground up local studio.
Buy 3 Masters get 4th 50% OFF! - All must be submitted together. Valid til July 1st. 25'