Editing - Mixing - Mastering

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I’m proud of the work I did with the band Corriente Continua, who are about to release their music. I was involved as producer, recording engineer, mixing and mastering engineer. I feel we achieved a high-level result that left everyone satisfied, and I even applied some new concepts I learned during the production process — it was a truly rewarding experience.

Q: What are you working on at the moment?

A: I’m currently working in music production with various artists, and I’m always interested in discovering new bands to collaborate with.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: I don’t know anyone on SoundBetter yet, but I’d love to connect and collaborate with fellow engineers, producers, and artists on the platform.

Q: Analog or digital and why?

A: I usually prefer hybrid systems. My ideal recording setup includes an analog console with amazing tone — like a Rupert Neve — running through high-end A/D converters, with access to both analog and digital processing. This way, I can make the right choices from recording to mastering based on the sound I’m aiming for, not on dogma.

Q: What's your 'promise' to your clients?

A: My promise is to deliver a sound that both respects and elevates the artist’s work — enhancing its impact without losing its essence.

Q: What do you like most about your job?

A: What I enjoy most about my work is connecting with the artist’s vision and being part of that creative journey. It’s incredibly rewarding to reach a final result that sounds beautiful and feels right for the music.

Q: What questions do customers most commonly ask you? What's your answer?

A: One of the most common questions I get is: “Can you make my song sound like [reference artist]?” My answer: Absolutely — I always work based on reference tracks and the artist’s vision. While I don’t copy, I use references as a creative and technical guide to shape a sound that fits the song while keeping it original.

Q: What's the biggest misconception about what you do?

A: The biggest misconception about what I do is that some people think I sell beats — but in reality, I provide editing, mixing, and mastering services to help artists bring their existing songs to their full potential.

Q: What questions do you ask prospective clients?

A: I usually ask about the artist’s creative vision, sonic references, and what they expect from the final result. I also ask about the number of tracks, the format of delivery, and any deadlines. Understanding the intention behind the music is key to making the right technical and artistic choices.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Hire me if you're looking for someone truly committed and involved in your project. I take the time to understand every detail and work hard to achieve the best possible results.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: I'd take my audio interface, a MIDI controller, my studio monitors, my computer with Pro Tools, and my guitar. These are the tools I’m most comfortable with — they not only allow me to deliver great results for others, but also let me create my own music, which is something I truly enjoy.

Q: What was your career path? How long have you been doing this?

A: My career started early, learning to play instruments and connecting with music from a young age. During my teenage years and early adulthood, I gained hands-on experience through my own bands and musical projects. This journey led me to formal studies in sound engineering and music production, where I developed my technical foundation. Since then, I've worked on various projects and collaborated in recording and production studios, continuously refining my craft.

Q: How would you describe your style?

A: My working style is honest, respectful, and straightforward — I believe in clear communication and mutual trust throughout the creative process.

Q: Which artist would you like to work with and why?

A: I don’t have a dream artist to work with — I’m most inspired by emerging musicians who bring fresh ideas and sounds. Discovering new voices is what keeps my work exciting.

Q: Can you share one music production tip?

A: One production tip I always share is to invest time in dedicated pre-production. Making solid demos and preparing every detail — both artist and producer — lays a strong foundation for all decisions, from recording to mastering.

Q: What type of music do you usually work on?

A: I mostly work on rock music and its many subgenres, bringing energy and character to each project.

Q: What's your strongest skill?

A: My strongest skill is translating the artist’s creative ideas into technical decisions that shape the mix — bridging emotion and sound with precision and intent.

Q: What do you bring to a song?

A: I deliver professional post-production that stays true to the artist’s reference tracks and vision, always respecting the integrity and character of the original work.

Q: What's your typical work process?

A: My typical workflow starts with clear communication with the artist — whether through an in-person meeting, video call, email, or WhatsApp — to fully understand the project, expectations, and sonic references. Once aligned, I begin working in the DAW, keeping the artist involved through up to 3 revisions to maintain clarity and workflow efficiency. After revisions are complete, the final delivery is sent.

Q: Tell us about your studio setup.

A: My studio setup includes a dedicated workstation with Yamaha monitors, Sennheiser headphones, and Pro Tools, using a wide range of plugins from brands like Universal Audio and FabFilter. I also have access to studios equipped with Neumann and Focal monitors, as well as other high-end gear that supports and enhances my workflow.

Q: What other musicians or music production professionals inspire you?

A: I'm inspired by artists like Donald Fagen, Nirvana, Jeff Buckley, B.B. King, Oasis, Pearl Jam, Soundgarden, My Bloody Valentine, and many more across the musical spectrum.

Q: Describe the most common type of work you do for your clients.

A: My common tasks include editing, mixing, and mastering songs across various rock styles.