Pro session drummer and perc

Q: Analog or digital and why?

A: I work primarily in digital because it allows for speed, precision, and flexibility, which keeps projects moving efficiently. But I still embrace and apply the analog-era mindset - focusing on capturing great performances from the start, minimizing unnecessary edits, and keeping that live, human feel intact. For me, the best results come from blending modern tools with timeless recording values.

Q: What's your 'promise' to your clients?

A: I promise to bring tight, expressive, and musically supportive rhythm to every track. That means locking in with the groove, respecting the artist’s vision, and adding energy without overcomplicating the arrangement. I aim to make the recording process smooth, collaborative, and fun, so the final track feels alive and truly serves the song.

Q: What do you like most about your job?

A: What I love most is helping songs come to life with the right feel and groove. Being part of someone’s creative process, adding energy and nuance that elevates the track, and seeing a session transform into a finished piece that resonates with listeners-it’s incredibly rewarding. Every session is different, and that variety keeps me inspired and always learning.

Q: What questions do customers most commonly ask you? What's your answer?

A: 1. “How do you adapt to different styles or feels?” I answer that I study the song’s mood, the references, and the nuances of the style, then apply the right touch, dynamics, and groove to make it feel natural and authentic. 2. “How many takes do we really need?” I tell them that I aim to capture the best feel quickly, usually in just a few takes, and focus on getting musical choices right from the start so we can spend more time refining instead of repeating.

Q: What's the biggest misconception about what you do?

A: The biggest misconception is that humans can play “on the grid.” They can’t - and that’s a good thing. It might sound like it's on the grid, but if you zoom enough - it won't be. The subtle imperfections are exactly what make music feel alive. Great drummers make those imperfections consistent, creating a groove that feels natural, precise, and musical—it’s that balance that’s music to my ears. My work-ethic is to aspire and do everything you can to reach perfection and then.. the human element will shine through in its own by, all by itself.

Q: What questions do you ask prospective clients?

A: I usually start by asking about the song’s vibe and reference tracks, the role the drums should play, and any specific feels or grooves they have in mind. I also ask about deadlines, workflow preferences, and whether they want a polished, edited take or a more live, human feel. These questions help me deliver a performance that’s musical, efficient, and perfectly tailored to the song.

Q: How would you describe your style?

A: I’m trained in the tradition of classic 80s/90s session drummers—think Steve Gadd, J.R. Robinson, Manu Katché—so I focus on versatility, solid technique, reading sheet music, and playing by ear. That foundation lets me adapt to almost any song or style. At the same time, I’m inspired by modern music and production, from minimalist grooves to creative sonic approaches. My goal is always to serve the song first and bring something that feels right, not flashy.

Q: What's your strongest skill?

A: I’d say my strongest skill is working with people. I’m known for locking into a groove quickly, keeping sessions efficient, and getting exactly what the song needs in just a few takes. My focus is always on making the process smooth and the track feel good!

Q: What's your typical work process?

A: I start by listening closely to the song and any reference tracks to understand the vibe, dynamics, and groove. From there, I focus on getting solid takes quickly, prioritizing feel and musicality over perfection. I like to keep communication open throughout the session, making sure my playing serves the song and matches the artist’s vision. Once we have the core takes, I’ll add small variations, fills, or nuances as needed to enhance the track while keeping it natural and cohesive.

Q: Tell us about your studio setup.

A: I record exclusively on acoustic drums, with a mix of classic and modern kits-including a Ludwig Classic Maple (22", 13", 16") and a Gretsch Brooklyn (18", 12", 14"), plus some vintage and oddball drums. My snares include a Black Beauty, Supraphonic, Gretsch wood, and piccolo snare, paired with Istanbul Agop Traditional and 30th Anniversary cymbals. For mics, I use Vanguard V13 tube condensers on overheads, a Neumann TLM 102 and Shure Beta 52A on kick (plus a DIY subkick!), 57s on snare, MD421 and M88 on toms, a Telefunken knee mic, a Beyer M160 ribbon on hi-hat, and matched Oktava condensers for the room. I also have a stereo pair set up in a storage room next door, creating a unique echo chamber that adds a distinct spatial character when needed. All preamps and recording gear are chosen for clarity and musicality - Avedis MA5 and clean Focusrite pres feeding Cubase 13 Pro, with UAD, Soundtoys, Valhalla, and XLN Audio plugins for mixing and subtle enhancement. The setup is designed to capture a natural, dynamic drum sound that sits beautifully in the mix while keeping sessions efficient and musical.

Q: Describe the most common type of work you do for your clients.

A: Most of my work involves recording live drum tracks for songs across a variety of styles, from pop and rock to R&B and modern production-focused music.