Nashville Rhythm & Fills

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: Any project where my guitar part becomes the thing people remember — that’s what I’m proud of.

Q: What are you working on at the moment?

A: I’m currently recording guitar parts for a blues-rock project and working on new material for upcoming live shows.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: I’m new to the SoundBetter community, so I haven’t collaborated here yet. Once I’ve worked with fellow professionals on the platform, I’ll be happy to recommend those whose work I trust.

Q: Analog or digital and why?

A: Both. I love the warmth and dynamics of analog gear, but digital tools offer flexibility and recall. I combine them to get the best tone and workflow for each project.

Q: What's your 'promise' to your clients?

A: I promise to deliver guitar parts that serve your song, are recorded with great tone, and arrive on time — every time.

Q: What do you like most about your job?

A: I love the variety — every project is different. There’s always that excitement of ‘what’s next?’ and the challenge of bringing each song’s unique character to life.

Q: What questions do customers most commonly ask you? What's your answer?

A: Most clients ask if I can match the tone and feel of a specific artist. My answer: Absolutely — just send me a reference track, and I’ll capture that vibe while still making it unique to your song.

Q: What's the biggest misconception about what you do?

A: That I just play ‘some guitar’ over a track. In reality, every part is crafted to support the song’s groove, arrangement, and emotional impact — often less is more, and every note counts.

Q: What questions do you ask prospective clients?

A: I usually ask about the musical vision, preferred style or genre, tempo and key, and whether there are any reference tracks. I also check if they need layered parts, solos, or just rhythm guitar, and confirm the delivery format (DI, amp track, or both).

Q: What advice do you have for a customer looking to hire a provider like you?

A: Be clear about your vision and share reference tracks if possible. The more I understand the sound and feel you’re aiming for, the better I can craft guitar parts that serve your song. If you’re working with a new provider, consider starting with a small test project to make sure it’s the right fit.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Why 5? A Gibson ES-335 — the most versatile guitar ever, a Fender Tweed Deluxe, and a great cable. Sometimes, less really is more.

Q: What was your career path? How long have you been doing this?

A: I started playing guitar at the age of 5 with a classical background and have spent decades teaching, performing live, and recording. My studio work has included jingles, musicals, and rock/pop productions in Germany. Today, I focus on creating groove-oriented, song-serving guitar tracks for artists, producers, and commercial projects.

Q: How would you describe your style?

A: Tasteful, groove-focused guitar work rooted in pop, rock, blues, and r&b.

Q: Which artist would you like to work with and why?

A: I’d love to work with artists like John Mayer for his dynamic songwriting and attention to tone, and Chris Stapleton for the raw emotional power in his songs — both offer space for guitar parts that truly complement the music.

Q: Can you share one music production tip?

A: Always leave space in your arrangement. A well-placed, simple guitar part with great tone will often serve the song better than playing more notes.

Q: What type of music do you usually work on?

A: I usually work on pop, rock, blues, country, and commercial projects — including jingles — that need authentic, tasteful guitar work, from tight Nashville-inspired rhythm parts to melodic fills and atmospheric textures.

Q: What's your strongest skill?

A: Crafting rhythm guitar parts that groove, support the song, and leave space for other instruments — always played with feel, tone, and precision.

Q: What do you bring to a song?

A: I bring tasteful, song-serving guitar parts that enhance the emotional impact without overpowering the arrangement. My focus is on groove, tone, and texture — creating layers that feel natural, inspire the listener, and fit seamlessly into the mix.

Q: What's your typical work process?

A: I start by discussing the client’s vision and reference tracks to fully understand the style, tone, and feel they’re after. I then record multiple takes — including subtle variations in rhythm, dynamics, and texture — using my selected gear. Once the client reviews the first version, I make any necessary revisions to ensure the part sits perfectly in the mix. Final tracks are delivered as high-quality WAV files, ready to drop into the session.

Q: Tell us about your studio setup.

A: My studio is set up for high-quality remote guitar recording, using a carefully selected collection of professional gear rather than an oversized arsenal. I work with premium instruments like a Haar Strat and Tele-style guitars, Dr. Z heads with OX Box for silent recording, and boutique pedals from Wampler, Vertex, Strymon, ... Tracking is done through interface into Logic Pro, delivering clean, mix-ready WAV files tailored to each project

Q: What other musicians or music production professionals inspire you?

A: I draw inspiration from session legends like Tom Bukovac, Kenny Greenberg, Michael Thompson, Paul Jackson Jr., and Jedd Hughes, whose playing combines groove, tone, and taste, always serving the song.”

Q: Describe the most common type of work you do for your clients.

A: Recording tasteful, song-serving electric guitar parts — from dynamic rhythm layers and melodic fills to atmospheric textures — tailored to fit seamlessly into the client’s arrangement and mix.