Jordan Logue on SoundBetter

As a producer, engineer, and musician, I've been involved in countless recording sessions that range from new independent artists recording singles, to globally-touring artists (including Alice in Chains, Halestorm, Mercy Me) cutting big records. This wide realm of experience has taught me skills that I use to turn artists' visions into reality.

My goal as a music producer and musician is to use skills I've acquired and developed over my career to help realize the vision an artist has for their music. I wear several different hats as music producer and can fill many rolls to help you achieve your goals as an artist.

Music Producer: As a producer I primarily work with bands who are looking for a polished, yet natural sounding recording. I love recording real instruments and making records with a modern feel in a classic way. Being in Nashville I've had the opportunity to work on a lot of country music, both modern, and more traditional styles. Having said that I'm definitely a rock music lover at heart. I worked for Nick Raskulinecz as an assistant engineer on several big rock records from 2016-2018 (Alice in Chains, Rise Against, Halestorm, etc) and learned an incredible amount about making rock records from him.

Musician: A a musician I use my skills from 18+ years playing music in various capacities to make artists' music stand out. I've learned so much from playing full time on Broadway in Nashville as a bassist. Knowing hundreds of songs across various genres means I have a large knowledge base to pull from when creating instrumentation and vocal arrangements for your music. I feel that having so many influences on my playing and writing, combined with my engineering background gives me a unique perspective.

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Credits

AllMusic verified credits for Jordan Logue

Alice in Chains
Halestorm
Halestorm
10 Years
Black Star Riders
Halestorm
Rise Against
Foghat
MercyMe
Halestorm
Halestorm
Alice in Chains
Callie Hopper
Callie Hopper
Callie Hopper
Halestorm

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Interview with Jordan Logue

Q: What was your career path? How long have you been doing this?
A: I've been playing bass since I was 12. Over the years I picked up drums and guitar. I started recording myself on a digital four-track when I was 19. That began my love affair with recording. From there I decided to go to Middle Tennessee State University, and major in audio production. For my last semester I interned at Dark Horse Recording. That was 2013. After I graduated I stuck around and picked up assisting gigs, which led to engineering gigs. After a few years of building my skills and business, I got an offer to work for Nick Raskulinecz as his 2nd engineer in 2016. So I quit the day job and went freelance. Working for myself and Nick when he had projects for me. In 2018, I went out on my own and I began exclusively freelancing as an producer/engineer and a musician.
Q: What type of music do you usually work on?
A: As a listener, I tend to gravitate toward rock and metal, but professionally I've been fortunate to be able to work on a lot of different styles of music. As a 2nd engineer I've worked with a wide variety of artists, from Rise Against, to Mercy Me, to Foghat, and more. As a engineer/producer/musician, I've worked on everything from country, rock, CCM, americana, metal, pop. I've done, and continue to do, a little of everything.
Q: Tell us about your studio setup.
A: I recently moved into a small mix/overdub room near Music Row in Nashville, TN. It has a Harrison 3232 console in it I'm diving in to. I use a Universal Audio Apollo 8p with a Twin as my interface, Emotiva Stealth 8 studio monitors, a bunch of instruments (various guitars, basses, amplifiers, pedals, a mandolin, I'm always looking into something new) lots of software, and a pretty sweet lava lamp.
Q: What other musicians or music production professionals inspire you?
A: When I was an assistant engineer, I worked with Nick Raskulinecz (Foo Fighters, Alice In Chains, Rush, etc.) he's been very influential to me as a producer/engineer.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I just finished up an traditional/outlaw country record with a group called, The Kentucky Linemen (look 'em up!). I co-produced it with the band, and I did all the recording and mixing as well. We put a lot of time and effort into that one and I'm really happy with how it turned out!
Q: Analog or digital and why?
A: Analog or digital? Yes. Both have pros and cons, but when used in conjunction, you can get the best of both worlds.
Q: What's your 'promise' to your clients?
A: As long as you hold up your end of the deal, I will do whatever it takes to make sure you're ecstatic about the product we make.
Q: What do you like most about your job?
A: I LOVE making music.
Q: What's the biggest misconception about what you do?
A: That I'm a D.J....I'm not.
Q: Describe the most common type of work you do for your clients.
A: Producing, recording, mixing, editing/vocal tuning, remotely building full production demos.
Q: Which artist would you like to work with and why?
A: Metallica. They've been my favorite band since I had a favorite band. But they need a production overhaul.
Q: Can you share one music production tip?
A: Whatever you're recording, get it right from the source. If you're recording a snare drum, do everything in your power to make that drum sound as good as possible before the microphone. You can process a source to improve upon it, but a bad sounding drum will sound bad no matter what you do to it. That goes for any source.
Q: What do you bring to a song?
A: I feel like I understand pop sensibility and what people are expecting from a song, but I'm not ruled by it. I know the book, but I like going off-book and coming up with different and interesting arrangements/moments in a song.
Q: What's your typical work process?
A: I work on so many varying projects to different ends, and different means to those ends, that it's hard to say what my typical process is...I guess I talk with the client, figure out their needs, figure out the best way to meet those needs, and then do it.