Mixing & Mastering Engineers, Producers & Songwriters who worked with Cazador

Producer and Singer - Hammurabi Herrera
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(19)

Musician, producer and singer from Mexico

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Producer | Mixer | Engineer - Julian McBrowne

A career music engineer and producer, I have engineered hundreds of professional recordings in every genre. I have toured the world as an FOH mixer and production manager in venues ranging from intimate clubs to major festivals. I am ready to mix your project.

 Singer, Violinist, Screamer  - Miss Maxine Murder

Multitalented vocalist, electric and acoustic violinist, songwriter and go-getter looking to collaborate and/or assist in adding unexpected sound, thrilling energy and fresh new blood to your project. Many tend to compare my voice to Pat Benetar, Grace Slick, Siouxsie Sioux (Siouxsie and the banshees), and Chrissie Hynde (The Pretenders).

Remote Mixing & Mastering - Lasha Ugulava
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Let me take your tracks on a journey from demo to production.

Trap Producer - Yussef "YUCIFER" Cheaytilli
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Yussef Cheaytilli is a producer, audio engineer, recording artist, and bilingual songwriter in English and Spanish. He mainly works within the genres of Rap, Hip Hop, and Trap. Services include mixing, mastering, and production work for hire.

Music producer, Remote Mixing  - Erick Bardales

I’ve developed an easy workflow to produce, record, and mix your record in real-time, all while you’re in the living room or bedroom of your home. Your home is your vocal booth and studio is my control room.

Music Producer - ItsGradeA
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GradeA is an emerging Hip Hop producer from North Carolina

Versatile Session Guitarist - Wikid Sik

Hum something for me and I'll play it on guitar, bass, or piano!

Alt, pop, electronic producer - OITU

I love to create productions around a simple vocal/guitar or piano sketch. To build out and flesh a mood to bring the song to life. I'm a big fan of Max Martin's productions and I want to be a go to producer for artists looking to push their music forward while maintaining that pop sensibility.

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