Mixing & Mastering Engineers, Producers & Songwriters who worked with David Sarauz

Mixing & Mastering, produccer - Henry Mello
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Open minded approach to all projects and willing to give an outside opinion to help deliver a quality final product. I have been twisting knobs professionally for over 10 years.

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Latin Singer /Rock/Pop/EDM - Juan Cristobal
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I'll record vocals and vocals melodies in Spanish / Italian / English with my baritone voice

Indie Rock Mixing Engineer - Josh Berry
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Mixed from the band's perspective - touring musician/mix engineer with projects amassing 15M+ streams. Let me capture your unique sound and make it shine. Indie, rock, or pop, I prioritize your music, with years of experience and a passion for the art. Let's work together to create something special that reflects your artistic vision.

Remote Pop/Jazz Mixing - Cynthea Kelley
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Jazz | Americana | Pop mixing; I specialize in music using acoustic-based instruments, preserving natural phrasing and highlighting emotional depth within a mix.

Remote Indie/Pop Mixing - Jakob Barrios
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Are you looking a mix engineer experienced in indie / indie rock music? look no further! I have been producing and mixing in these genres since 2016 and I would love to help bring your project to life and add that classic indie sound you hear in all of your favorite indie songs!

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Vocal/Harmony Arranger - Jasmine AlexJ
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With years of vocal training and expertise, I craft harmonies that enhance any vocal performance. My arrangements bring depth and emotion, seamlessly supporting the lead vocals to create a richer, more captivating sound.

Sound, music and dialogue edit - Syd Warren

I am a talented pro tools editor with a strong musical background, and I want to help with your music project.

Drummer/Producer/Mixer - James Goulart

I'm a lifelong drummer and passionate musician with deeply honed skills in production and mixing.

Bringing sound to life - Kristian Leo

Producing at the intersection where sound and the body meet. I specialize in mixing, mastering and production that prioritizes physical translation — how music lands in the body, not just on meters. My approach focuses on: controlled saturation and harmonic density dynamic movement that breathes low-end and midrange balance that creates ground

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