Mixing & Mastering Engineers, Producers & Songwriters who worked with Hurd

Maxim Komov is an Cyprus-based mixing / mastering engineer, music producer and sound designer. In the past 20 years I work for rock and pop artists all around the world.Working on every project in-depth with my own strategies I tend to give your track all the details and power you hear on your favorite hit records.

Planetruth - I love creating lush, original harmonies, live and recorded. I also edit videos and soundtracks

I'm a multi-instrumentalist dedicated to several ethnic instruments such as Hurdy Gurdy, Afghan Rubab, Arab and Turkish Oud, Turkish Baglama as well as electric and classical guitar.

Recording credits; Jack White, Alicia Keys, Willie Nelson, Miranda Lambert, Dierks Bentley, Jelly Roll, Bailey Zimmerman, George Birge, Ryan Hurd, Parmalee, Avery Anna, Kimberly Perry, Ronnie Milsap, Rayland Baxter, Tenille Arts, Rodney Crowell, Andrew Combs, Erin Rae, Chester Thompson, Kelsey Waldon, Caroline Spence, and others.

Electronic dance music producer available to help you with your tracks.

B|A|M is a full service professional audio studio. We specialize in remote work ranging from full song productions, mixing & mastering, producing and more.

I'm deeply involved with the DTM and VOCALOID scene and know all the hurdles that bedroom producers face, like dealing with vocal synthesizers or sampled orchestras / virtual instruments, thus I have no problem in making them sound alive and convincingly real.

Jonah Weingarten has scored and arranged (digital) orchestration for a myriad of projects including metal bands and projects, video games, podcast jingles, promotional video, book trailers, and independent film. His trademark sound is epic and expansive soundscapes, be it for a sweeping symphonic metal album or a 20 second podcast intro.

Analogue warmth, digital precision, over 30 years of experience. I sometimes mix on a large console running lot's of outboard and sometimes ITB. It is the level of precision and detail asked for that makes up for the right plan of attack. But most of all it is about the vibe or feel of the track that dictates the right choice.