Mixing & Mastering Engineers, Producers & Songwriters who worked with KIDEYES

Mix Engineer - Raul Lopez
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Mixing & Mastering - Rob Niece
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Ready to elevate your audio to its fullest potential? Welcome to Not Another. Specializing in mixing, mastering, producing, songwriting, and podcast editing, we bring professional polish and artistic finesse to every project. Let's make your sound unforgettable. Book with us today!

Pop producer, Pianist,Engineer - Daniela Viegener

Argentinean latin female pop producer composer and sound engineer

EDM Ghost Production - STUDIO RECORDS ONE

We specialize in creating EDM music. Mainly Slap House, Bass House and Future (sound like Brooks, Julian Jordan, Martin Garrix).

Mixing and Sample Playbacks - John Clark

Mixing, production and mastering services. Sample replays for Mylo’s Destroy Rock & Roll album including “In My Arms”. Remix credits w/ Linus Loves on Number 1 singles by Justin Timberlake - “SexyBack” and Scissor Sisters - “I Don’t Feel Like Dancin”. Recent mixing clients include Pearl City and Ben Hayes.

Live Sax & Music Production - J Anton Boykin

J. Boykin, the “Sax Sensation,” is a versatile saxophonist who has worked with artists like Frankie Beverly & Maze, Ledisi, John Legend, Take 6, and Kirk Whalum. Known for his soulful tone and dynamic style, he delivers expressive, professional sax parts that elevate any production.

Producer, Ghost Writer - TYLND

Synethesiatic producer and ghostwriter specializing in creating soundscapes

Composer/Producer/Songwriter - Antonio Razetti
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Antonio Razetti is a composer for film, games, and commercials, known for crafting atmospheric, story driven music that enhances narrative and emotional impact. With a strong focus on texture, mood, and modern hybrid sound design, his work blends cinematic orchestration with electronic and experimental elements.

Cinematic Music Producer - John Andrew Boissy

I craft intense, cinematic soundscapes and deep, story-driven lyrics through obsessive, ground-up production. Whether the need is a haunting narrative told through lyrics that cut to the bone, or atmospheric instrumentation, I treat every project as a major work. I don't just provide files; I obsess over every detail until the vision is flawless.

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