Mixing & Mastering Engineers, Producers & Songwriters who worked with Mr. Beats

D VIBE$, a style derived from his music, which showcases his ability to perform in lyrically with flows you never heard before.

Mix Engineer / Producer based in Toronto, Canada. I strive not only for sonic quality but also to deliver the vibe that "sounds right" to the music. I focus in the production of a range of music including / but not limited to modern rock, classic rock, pop, funk, mo-town.

NY bred singer and songwriter. I freely pronounce intimate times through music. Eligible to sing and or write for alternative, pop, dance, hip hop and r&b genres.

I have spent the last 7 years of my life working under some of the most respected mixing engineers in music. From these apprenticeships, I've learned not only how to craft a good mix, but how enhance the overall depth and vibe of a song. I have spent the past years taking on my own clients using the tools and tricks that I've gained over the years.

I am a songwriter, graphic designer and a producer who is passionate about making beats, writing songs, singing, mixing, mastering, drawing, taking pictures and cleanliness from Limpopo. I started pursuing music path 2012 through my brother Morpheus, drawing in primary grade 5 and photography in 2012. I am the founder of Garlic Beats/Graphics.

CREDITS: Z Money, Keyiara, Janetlys, Riah, Blunted Vato, 808 MAFIA

PRODUCER, BEAT MAKER HELLO, MY NAME IS GLENN LA LETRA AND I AM A PRODUCER AND BEAT MAKER FROM THE ISLAND OF SAN ANDRES, I WORK WITH ALL KINDS OF CARIBBEAN RHYTHMS AND I AM A COMPOSER

Maxime Wohlgemuth is a sound engineer, producer, DJ, and beatmaker. He offers a wide range of services, including mixing in Dolby Atmos for an immersive audio experience. Known for his versatility, Maxime blends genres like trap, drill, and chill music, tailoring each project to his clients' needs while delivering high-quality, unique productions.

I was recently signed to an ind., latin label after having trained for 5 years, daily. It is very risky for a label to release an artist with no fanbase and extremely rare. They were extremely impressed with the sprawling 26-track double album, the vocal/musical abilities that I had developed, and my ability to interprete and agreed to finance all.