Mixing & Mastering Engineers, Producers & Songwriters who worked with nnamdï

I was the staff engineer at Audiotree Studios in Chicago, IL from 2013-18. I now co-own Friends of Friends Recording in Chicago, IL, with my partner DeAnna Doersch. My work has over a million monthly streams via Spotify alone. I'm drawn to the human experience through music and how it is perceived. An artist at heart and a listener by trade.

HEY HEY HEY LETS MAKE GREAT SONGS AND SOUND TOGETHER. I WORK FAST AND WITH GREAT EMPHASIS ON QUALITY AND ORIGINALITY. ALWAYS LOOKING FOR INTERESTING AND AUTHENTIC ARTISTS TO WORK WITH. LETS HAVE FUN :)

I have 7+ Years of working experience in professional studio environments as a recording/mixing/mastering engineer after getting a degree in Music Production and Engineering from Berklee. I specialize in Indie-Pop/Rock/Punk/Metal/Hardcore but enjoy mixing all genres of music.

The words “masterful”, “remarkable”, and “it seems everything he touches turns to gold” have been used by various periodicals when reviewing music created by award-winning producer/composer/multi-instrumentalist Ben Leinbach.

MORE THAN 10 YEARS OF EXPERIENCE IN COMPOSITIONS, FOUR TIMES nº1 OF 40 Principales Canarias, SPECIALIST POP - URBAN - LATIN STYLES.

Hey, I'm Matty Bray. I cowrote and recorded guitar for Jeremy Pope's first ever single release - he's nominated for a grammy, an Emmy, and two Tony awards. I played guitar on the Broadway musical Wicked in New York. I co-founded rock band The Delta Saints, who has over 10 million plays on Spotify.

Silente Estudio is a crew of sound professionals dedicated full time to Sound. Recording, Mixing, Designing, ADR, Videogames, Tv, Films & Foley

If you want killer bass tone that settles right into the mix, pocket for days, and tastefully composed bass lines that lock in with the groove and complement every element of your song's arrangement, look no further!

At Eye of the Tortoise Audio (eyeofthetortoiseaudio.com), my mission is to bring clarity, intention, and artistry to every stage of the production process. I believe that great sound is not just about gear or technique—it’s about understanding vision, respecting perspective, and executing with precision.