Mixing & Mastering Engineers, Producers & Songwriters who worked with No Lens

Remote mixing and mastering - Fred Rigollaud
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I've spent over a decade finding what traits make an artist unique, and refining those to make the artist's message and personality translate through their music in the best way possible

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Record/Edit/Vocals/Mix/Master - Adam W. Thomas
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Professional audio engineer with experience and troubleshooting skills resulting from both home and pro studio recordings.

Soy entusiasta y emprendedor - Guillermo Ruiz

Estoy en la industria de la producción musical, con participaciones en un par de play list.

Song writing music producer  - JBKeys
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Ann Arbor based ballad king.

Songwriter/Topliner/Producer - Chad Cates
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Over 100 songs recorded. 2 Dove Awards. 8 #1 songs. I write Pop, Country, Christian, and Worship. My songs have been cut by Diamond Rio, Terri Clark, Casting Crowns, Mandisa, and Steve Moakler. Syncs-Private Practice(ABC), House of Lies(Showtime), One Tree Hill(CW), Pretty Little Liars(ABC)

Session Guitarist - Joe Styler

Einer der Besten auf meinem Gebiet

Mixing and Mastering - Mario Ayuda
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(15)

Gold & platinum record sound engineer. His song has been in consideration for the 61st Grammy Awards. Mario's tracks were supported by many promoters, radio stations and djs, just like Hardwell,Tiesto, Armin Van Buuren, W&W and more. His work was released by Spinnin Records, Armada Music, Sony Music, Universal Music, Concordia Recordings and more.

Masters with colors & Subtlety - Aymeric Tabary Peixoto

Hi, I'm a mastering engineer located in Paris, France. Let's talk about your music and what result you want to get from it.

Producer & Mixing Engineer - Josue Diaz
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As a musician-made-mixing engineer I bridge the gap between technical and artistic approaches. I will bring my taste in music and create projects that will sound musically, and technically exceptional. One of the most important aspects for me is communication, making sure that the vision of the artist is always kept at the utmost priority.

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