Mixing & Mastering Engineers, Producers & Songwriters who worked with Palos Borrachos

Authentic and creative music - Jonah Schwartz
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I play a bunch of different instruments and love working with a wide variety of artists to look for new sounds and experiment in new areas. I'm interested in a lot of different styles of music: folk, drone, afrobeat, rock, experimental, and everywhere in between. I can typically turn over jobs pretty fast, depending on the complexity.

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Mixer, Engineer, Producer - Gareth Matthews
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Gareth is a professional Mixer, Engineer & Producer with over 20 years experience. Mixing & engineering sessions for many multi platinum selling artists and producers, including Frank Turner, Example, Hardwell, Harrison, Alice Merton, Sandi Thom, Thomas Gold, Alexander O Neal plus many more.

Live/Recording/Mixing Engineer - Kino Alvarez

Live Sound Engineer (FOH/Monitor) - (Bands, Concerts, Theatre Productions, Musicals, Broadway Productions). Sound Designer Recording Engineering Mixing Engineer Entertainment Professional & Consultant Fully cabable of taking any artiste/band/group/production from the studio to the stage.

Producer/Musician for hire - BeatsMadebyFresh
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Producer behind records for Chris Brown, Coi Leray, Boney James & more...

Mega Platinum A&R Prod Writer - Jeff Blue Music

170 Million Albums sold, VP A&R for 7 major labels (Warner Bros, Interscope, RCA, Atlantic, Capitol, Jive, BMG) Mega Platinum Producer & BMI Award winning Writer who develops & helps artists get signed. Credits: Linkin Park, Macy Gray, Alliyah, Daniel Powter "Had a Bad Day", Korn, Hoobastank, Limp Bizkit, many more! Hundreds FIlm TV placements!

Songwriter, Producer, Vocals - C. Michael
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In college C. Michael studied Sound Engineering, Music Business, and Music performance. He's sung back up for Phish at Madison Square Garden, and has been writing music for over 10 years.

Recording, mixing engineer - Raúl Navarro
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I try do it as good as I know. Firstly, always listen the music before recording. Music must be listened, it's an emocional energy. From there, we can work. Trust your ears: if it sounds good, that's fine. No rules. If you have to use +17 dB to get the sound you want, go ahead. The important thing is how it sounds, not what you did to achieve it. "

Mixing and Mastering  - Caillou Escobedo

I'm a mixing and mastering engineer based in Colombia

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