Mixing & Mastering Engineers, Producers & Songwriters who worked with Pussy Galore

Producer, Mixer, Musician - Barrett Jones
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(46)

Multi-platinum producer with 40 years of experience. Clients include icons like Nirvana, Foo Fighters, and Pearl Jam. Other notable clients include The Melvins, The Presidents of the United States of America, Dover (ES), Genitalica (MX), Pussy Galore, Jawbox, The Fall of Troy, and I Am The Avalanche.

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Pop & Dance Producer+Engineer - Jake Jeong
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(11)

Pop producer that loves electronic dance music. Modern synth-driven production. Credits include HYBE America and T-Series.

Recording Studio - Trichotomy Studio

Want a pro mix that sounds huge? I only have one goal when it comes to recording: Making something that you can show off without hesitation. I have worked with a variety of musicians and Grammy nominated/awarded engineers to deliver industry-standard professional mixes, while giving the artist as much creative control and input as possible.

Music creator  - Daniel Rosenholm

I help you take your music where you want it. I'm a great listener and good at interpreting what people mean when they talk about music.

Recording, Mixing & Mastering - Pablo Ignacio Flores Osorio
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Do you have an idea in your head? Let's produce it!

Session Violinist | Arranger - Jinty McTavish
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(37)

Improvising, playing a chart, writing a chart...I've got you covered! I’ve written string arrangements for all kinds of genres and remotely recorded on hundreds of tracks for clients around the world. If you’re looking for a unified and pristine string quartet sound I can also bring in my group, ATLYS (@atlysmusic).

Bass, BassSynth, Guitar, Beats - Swaéli Mbappé
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Bass player for Mayra Andrade, Blick Bassy, China Moses, Paco Sery, Jean-Luc Ponty, damn'co, Tal, Shy'm, Amel Bent, Anthony Jambon and many others ...

SAXOPHONE & FLUTE - Julien CAVARD
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(6)

PERFORMING & ARRANGEMENT Pop / Jazz / Classical / Electro

Alt Pop, Rock, Groove, Jazz - Warning Studios
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Analogue warmth, digital precision, over 30 years of experience. I sometimes mix on a large console running lot's of outboard and sometimes ITB. It is the level of precision and detail asked for that makes up for the right plan of attack. But most of all it is about the vibe or feel of the track that dictates the right choice.

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