Mixing & Mastering Engineers, Producers & Songwriters who worked with qazule
Hello, my name is Hoorshad, and I'm a session guitarist and producer who wants to assist you in making a beautiful record. On numerous music platforms, I've supplied high-quality online music production and guitar tracks. Let's develop something fantastic together and bring your ideas to reality.
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More providers:
I craft commercial-ready mixes and masters that make your tracks sound radio-ready and competitive in today’s industry.
Nich “S!lky” Jones is a mixer, engineer, producer, and musician based in New York City.
Sean Shannon is an audio engineer and DW Drum Artist specializing in drum tracks and mixing records. Engineering credits include Carmine Appice/Pat Travers "The Balls Album" (Cleopatra Records), Impellitteri's "Nature Of The Beast" (Frontiers Records), Pat Travers' "Retro Rocket" (Purple Pyramid Records), Outbound Road's "Hard Country".
Experienced and competitive Sound Engineer. Studio manager and Live sound engineer specialized in Mix and Mastering processing. The key: capture the best of your sound and bring it to a professional level.
Got a great song? My mixing and mastering services will give your music the sound fitting for the world to hear.
Multi genre singer and indie/alternative pop songwriter for hire.
"Industry-level mixing, mastering & production trusted by pros—let’s make your sound undeniable."
I specialize in natural impactful mixes for rock/metal bands.
Recent Successes
"We received three excellent takes of drums and are currently in the process of mixing and matching. The drum tracks arrived before the delivery date. We are very impressed by the quality and professionalism of the ser..."
Henry M."Thanks for your fast and professional work. It was a pleasure working with you!"
Matthias S."really really professional very fast perfect voice it was a pleasure work with him thanks"
$am"Piano4U is great pianist who did a great job on a pianotrack for me. Fast turnaround and great communication. Thank you"
Stian L.
