Mixing & Mastering Engineers, Producers & Songwriters who worked with The Amy Incident

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Studio and live bass player - Javier Studer

I am a bass player who loves play songs in pop, rock and R&B styles. My goal is take the song to the best level that it deserves.

Mixing and mastering engineer - Dimitrije Maglic
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Mixing engineer. I like old school analog vibe and I incorporate that in my mixes .I am mixing rock,country,blues,pop and other similar genres.

Music Producer - FrankEDLGM
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I'm a music producer in all meaning of the word. I get involve from creating the demo, to Mixing the final song to Mastering the final master piece.

String/Orchestral Arranging - Anais Azul Arranging

I arrange strings for hip-hop artists. I also make orchestral arrangements of pop songs and live working with singer-songwriters.

Mixing/Recording/Producer - Jeronimo

Looking forward to help you achieve your goal. I have three years of experience in recording, mixing and producing songs with Pro Tools, Ableton Live and Logic Pro. I worked with over 20 artists, within my best projects, there is "Beating for you" by J. Cross, which I recorded and mixed and now has over a million streams on Spotify. I guarantee I

Mixer, Producer, Session Bass - Neil Wogensen
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Producer/Mixing Engineer/musician with 72 Million streams and multiple "New Music Friday" Credits. I love taking a song and helping it find it's truth, and giving every project its own sonic signature. True hybrid analog/digital mixing setup. Founding member of Valley Queen.

Vocalist/Songwriter - Kira Hooks
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Jazz/Soul inspired Session and Live Singer - able to record multi layer harmonies, sing lead, and write for your tracks.

Producer/Engineer - bird93

Producing, recording, and engineering in the Arkansas area in an attempt to revitalize the music scene in the area. Seeking collaboration to help you spread your sound and be heard by the world. Primarily focused on rap, R&B, and their various respective subcategories, but influenced and inspired by genuine music, regardless of genre.

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