Mixing & Mastering Engineers, Producers & Songwriters who worked with Tony Markham

Artist, Producer, DJ - AZARYA
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23 years of audio production (since 2000 at age of 12). My previous alias I went under as ZXX. Produced and toured alongside Paul Anthony from 2007 to 2012, signing records to Nervous, Ultra, Mixmash, Sleazy G, BADLQQK, Spacedisco, Moody Recordings, Rawthentic, Basement Leak, InStereo Recordings, DJ Deeon's "Ghetto Rhythm Composers"

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 - Charles Q. Bouril

Producing content under Unfortunate Films, Charles Bouril is an independent filmmaker, focusing on location sound recording and sound design.

Songwriter,Musician,Producer  - Peter Frank Santovito
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Songwriter, Musician, Performer,Recording Artist, Producer, Lead Guitarist, Rhythm, Bass, Keyboard, Drums, Vocals

Remote Mixing - Pedro Giménez (Pit)

I make the live programming and mixing for my band, Soma Buenos Aires.

Full Service Music Production - Stolting Media Group

Premium Quality Multimedia products and services!

Freelance Mixing and Mastering - Phantom Audio

I'm an Atlanta based audio engineer with most of my experience being in the hip hop genre.

Mixing and Mastering - Alex Velte Music

Get a mix and master that’ll make your song sound pro. Stop wasting time running to the car to check mixes when you could be using that time to make more music. I make your music sound as amazing as you hear it in your head.

Producer, Composer and Mixer - Ben Medcalf
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Sonic branding and brand theme composition for European E-Sports League, National Women's Soccer League (US), various trailers. My regular clients are among the biggest commercial music production houses in the world (Massive Music, Yessian Music). I have also worked extensively with high-end music production libraries such Extreme Music (Sony).

beat maker, ing mix and master - Ray Brown

Venezuelan music producer, beatmaker, and mixing engineer based in Bogotá, Colombia, with over 10 years of experience in the industry. I specialize in trap, reggaeton, dancehall, Afrobeat, pop, R&B, and more.

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