Mixing & Mastering Engineers, Producers & Songwriters who worked with Why Elephant

Analog & Digital Mastering - Studio RTM
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Your tracks at their best at a fair price. Professionnal human ears with + 30 years expérience

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Remote Mix Mastering Compose - McSim

I can not live without sound! Let's be honest - you need a fast high-quality work in a short time, I need the money! I always do my job perfectly!

Mastering, Mixing, Studio+Gear - M. Western
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Having studied the Heavy Rock & Metal Sound of the past and present in great detail with passion, you can expect me to apply that wisdom to your mixes and masters in terms of understanding where your production stands in the grand scheme of things and combine that with what we believe is needed for your song specifically. Specialized in mastering.

Music Producer - Rolo

american record producer and composer, specialized on Electronic Music, Dance Music, Rock, Funk, Pop and Hip hop. As well film score music and ambient, drone styles

Your Music, Mixed as a hit! - Paul Boutin
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Ariana Grande, Babyface, Toni Braxton and more. Grammy-Winning Mixing Engineer with 28 Years of Experience. 
22 Gold Records. 22 Platinum Records. 20 Multi-Platinum Records, 5.5 billion streams. I pride myself on being easy to work with, highly detail-oriented, and committed to helping artists achieve their creative goals. Let’s collaborate to make your music stand out.

Artist/Producer - Jay Millian
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Everything Slap

Mix Engineer, Music Producer - Tag Johnson

"With a track record of soundtrack placements with industry giants like Lionsgate and Codeblack, I bring a unique blend of experience and artistry to every project. Being an artist at heart, I have a deeper understanding of music's emotional power and the creative vision it takes to elevate your sound.

Mixing and Mastering Engineer - MixedByKin

Mixing and Mastering engineer that focuses on delivering the best possible product while retaining the musicians original sound and ideas. Ive worked on different genres including Rap, R&B, Pop, and EDM.

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