
Award-winning Stereo and Dolby Atmos mixing+mastering. Hundreds of millions of streams, top playlist positions in Pop, Indie, and Rock as well as many #1's around the world. Unlimited free revisions on mixes.
Please contact me for a no obligation, no hassle quote. Always happy to chat. Every project is unique.😀
No compromise, world class mixing in both stereo and spatial, mastering, editing, and second to none vocal post-production. That's what I offer. I've been doing this full time for 20+ years, and I'm here to bring my expertise to your project.
Playlist of Atmos mixes: https://music.apple.com/ca/playlist/chris-perry-atmos-mixes/pl.u-LdbqEpguB93KP
SPECIAL: Dolby Atmos mixing at a substantially reduced rate when you book a stereo mix. Affordable Atmos mixes from tracks, stems, or even an existing mix. I use a hybrid mixing system offering the control of digital with the warmth of high end analog gear from SSL, Kush, and BURL Audio.
Have worked for all the major labels and I've won multiple Juno Awards (Canada's GRAMMYS), CCMA for Record Producer of the Year, 5 SOCAN #1 Awards, as well as a bunch of China Music Industry Awards.
I have worked with artists such as BANNERS (Island/Universal) K.I.D (Columbia Records), Aidan Gallagher (Umbrella Academy), Nelly Furtado, Softcult, Elita, XO-IQ (Make It Pop TV show on Nickelodeon), 曲婉婷 (Nettwerk, Universal Records China), Keshia Chante (BMG Records).
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Send me a note through the contact button above.
Credits
Discogs verified credits for Chris Perry (2)- An April March
- Various
- An April March
- Rhea's Obsession
- Colecovision
- Noisecore Freak / Murder By Static
- Rhea's Obsession
- K.I.D (Kids In Despair)
- The Whittingtons (2)
- An April March
- An April March
- An April March / The Curtain Society
- An April March
- An April March
- The Curtain Society
- An April March
- An April March
- Jester's Destiny
- Splinter Cage
- An April March
- Various
- Various
- Sustain (10)
- An April March
- Dr. Minz And The Chronic Harmonic
- Almaz Tefferi*
- Rational Youth
- Trance To The Sun
- Various
- Chicklet
- Infernäl Mäjesty
- Rational Youth
- An April March
- Noisecore Freak / Murder By Static
- Various
- Various
- Translucia
- Sparrow Orange
- Beef Terminal
- Beef Terminal
- Noisecore Freak
- Various
- Chicklet
- K.I.D (Kids In Despair)
- K.I.D (Kids In Despair)
- Various
- Trouser
93 Reviews - 20 Repeat Clients
Endorse Chris Perry- check_circleVerified
Chris continues to provide nothing but stellar work and high professionalism. He is reliable, quick, timely (usually early), and committed to quality over all else. My podcasts sound better (pun intended).
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Chris is the best podcast post engineer I've worked with thus far. Super professional work style and knows what he's doing. Great first impression during initial phone call, and the work speaks for itself. He's making my life easier, and that's the point of it all!
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Chris was really patient with me and helped to bring the song to life. Highly recommend!
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Chris Perry's mix was the most satisfying I've ever worked with a variety of engineers. He seemed to understand the song I was trying to make, and he responded to my requests precisely.
Thanks again for everything!! - check_circleVerified
Chris was amazing. Took the time to explain his recommendations and share his expertise. Will definitely be doing more work with him.
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This is my second time working with Chris, who did a superb job mixing and mastering a highly important song for my R&B artist. He is very patient and professional. With his technical skills we were able to create a massive masterpiece.
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Chris was awesome to work with - I'm really happy with the finished product and look forward to working with him again on more songs!
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He just does a great job and is very easy to communicate with back and forth. Chris, thanks!
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Another excellent job from Chris. He "gets" the music with good ears and intuition, is willing to do a revision if needed, is professional throughout, and his finished Dolby Atmos mixes have sounded great!
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As before, Chris’s work is top-notch: thoughtful edits followed by an excellent result. His changes are subtle but effective, and the final mixes bring out the best in each piece. It was a pleasure working with him, and I’ll do so again in future.
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Chris was very easy to work with. Good communications back and forth. Very thorough presentation with technical info. Overall I think he did a great job. If the opportunity presents, I would be very happy to work with him again!
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With Chris' exceptional taste, creativity and technical expertise, the mix he produced of my track turned out to much more appealing and beautiful than I had expected. I like his sense of aesthetics and the subtle but necessary changes that he made. I highly recommend his services.
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Chris was receptive for feedback on initial mixes and to making changes accordingly. He also was understanding with my precise ideas about transitions between songs, and took the time to sit down together to get it right. His mixing and mastering (including fixing flaws in the recordings) was very good, such that I can listen to my songs now with joy (instead of cringingly, as before)!
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Chris mixed a City Pop single for me and it turned out amazing. Very quick replies, great communication, very professional, and turn around time for the mix and revisions were lightning quick. I highly recommend hiring Chris for your mixing needs.
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Chris was extremely diligent and patient with me! he went above and beyond what I asked for and provided a professional and beautiful mix for my first song!
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Very talented mix engineer! Highly recommend Chris for your atmos mixing needs!
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Quick and awesome as always
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I love working with Chris! His mixes are excellent, he responds back to you almost immediately, and he’s quick with any revisions you may need. I’ll continue to work with Chris in the future!!!
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Chris is a rockstar! His mix/master is the exact sound I was going for. He's also ideal to work with; very communicative, and gets revisions done in a very timely manner. I'll definitely work with Chris again.
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Chris up-mixed an already completed stereo master to Dolby Atmos for me. Considering it was a small job on a tight turnaround, Chris went over and above to be as detailed as possible and present many different possibilities on how the job could be achieved. He delivered a great sounding Atmos mix and was a pleasure to chat with and share some knowledge along the way.
Interview with Chris Perry
Q: What are you working on at the moment?
A: A lot of atmos mixes!
Q: Analog or digital and why?
A: Both, but mostly digital. There is a time and a place for a lot of analog gear, whether it be outboard or a bunch of guitar amps. To me, the digital modelling is pretty much there, and the flexibility of digital is absolutely required for modern music mixing and production.
Q: What do you bring to a song?
A: A lot of experience is many facets of the music industry. I try to assist in creating music that makes an impact.
Q: Tell us about your studio setup.
A: I have a mixing and production studio in downtown Toronto. It is a modern based around a hybrid analog/digital setup
Q: Describe the most common type of work you do for your clients.
A: I specialize in mixing (both stereo and atmos), post production editing, as well as full productions.
Q: What's your 'promise' to your clients?
A: That they will be happy with the end result.
Q: What's the biggest misconception about what you do?
A: The belief that quality gear will lead to quality results. Don't get me wrong, good gear is fine, but it's all about the skill and creativity of the operator.
Q: What questions do you ask prospective clients?
A: "What are you planning to do with this project once it is mixed and mastered?" The answer to this question generally answers every other question I could possibly ask!
Q: Can you share one music production tip?
A: Limit the number of tracks in your productions. Create engaging and empowering parts that give the listener something to hang on to. Don't layer a bunch of fog into it.
Q: What type of music do you usually work on?
A: Mostly broad-stokes pop music. From alternative, to rock, to country, to R&B, but mostly fairly mainstream commercial music.
Q: What's your strongest skill?
A: My intuition. I think that in mixing and producing, it's all about having a sense of what will work, and how to get there. So, I think my strongest skill is having a good sense of these things.

I was the Atmos mixing and mastering engineer in this production
- Serial Killer by Elita (binuaral Atmos-listen on headphones only)
- March by Jesse Abbey
- Other Woman by Danyka
- Another Bish by Softcult
- Mixing EngineerAverage price - $350 per song
- Dolby Atmos & Immersive AudioAverage price - $300 per song
- Mastering EngineerAverage price - $70 per song
- Vocal TuningAverage price - $50 per track
- EditingAverage price - $50 per track
Mixes include: Unlimited FREE revisions. Industry standard alts+subgroup stems. Mixes are done on 1st-come 1st-served basis. Typical lead time is 7-10 days. Mixing doesn't include Tuning, Editing etc.
- SSL Fusion
- Dangerous Analog Summing
- Burl B2 ADC and DAC
- Focal Monitoring. Mac
- Studio One 5
- Pro Tools Ultimate
- Logic Pro
- Melodyne Studio 5
- Revoice Pro
- Tons of UAD
- UBK
- All of the plugins!
Atmos (Spatial) mixes discounted for stereo mix clients!