My goal is to make your sound as the best it can be.
I am an award winning music producer, mixing and mastering engineer.
For more than 10 years I have been traveling internationally as a DJ and live musician and have played in the most famous clubs and festivals in the world. (Panorama Bar, Robert Johnson, Concrete, Sankeys-Tokyo, Rex Club, Dimensions Festival, Montreux Jazz Festival, Strawberry fields festival, Lovefest - just to name a few)
Since 2019 I offer a mastering & mixing service. Through my experience,be it through my own release or my performances, I understand the technical details but also the most important thing in music - the emotions.
I work with selected high-end analog equipment, KII Three Studio Monitors in an acoustically treated room. To provide a maximum of transparency, all gear is isolated by clean power sources and custom wiring.
By using high-end analogue hardware in the mastering process I can get rid of that lifeless digital sound.
Each device has a special sonic signature which adds warmth and fullness, as well as punch and depth.
This will result in a more alive and 3 dimensional sound associated with commercial grade recordings.
Lets create great sounding audio that translates the character and emotional impact of your music to listeners.
Send me a note through the contact button above.
Credits
Discogs verified credits for Moomin (3)- Oskar Offermann & Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Smallpeople & Moomin (3)
- Moomin (3)
- Julius Steinhoff & Moomin (3)
- Moomin (3)
- Moomin (3)
- Moomin (3)
- Tristen (2)
- Various
- Tony Lionni
- Johannes Albert
- Laguna Ladies
- Acasual
- Casino Times
- Catz N' Dogz
- Jad & The
- Pedro*
- Robert Frederik
- Norachi
- Swales (2)
- Delfonic & Kapote
- Delfonic & Kapote
- Shindo (6)
- Delfonic & Kapote
- Delfonic & Kapote
- Philipp Priebe
- Philipp Priebe
- Tom VR
- Art Of Tones
- UC Beatz
- Dan Piu
- ASA 808
- ASA 808
- Norachi, Miris (3)
- ASA 808
- ASA 808
- DJ Fucks Himself
- ASA 808, Dark Sky (2) , ASA 808 DAEDE, Small Car NRG, 2XM (2)
- Ravelston
- DJ Rocca & Lex*
- Various
- Various
- Margaret Dygas
- Various
- Various
- Cuthead
- Various
- Various
- Various
- Raketka
- Various
- Mark E
- Various
- Various
- Various
- Various
- Art Department (2)
- Various
Interview with moomin
Q: What's your 'promise' to your clients?
A: My goal is to make your sound as the best it can be.
Q: How would you describe your style?
A: My working style is geared towards collaboration
Q: What was your career path? How long have you been doing this?
A: I was already fascinated by music as a small child and started collecting records at an early age and then also started djing very early on. At the end of the 90s I started producing music with the MS-DOS program fast tracker. Things got really serious around 2008, my studio setup consisted of a sp1200 Roland 909 / 808 / 707 / 606 and a few synths such as Roland Juno 106. My first album “story about you”, which was released in 2011, was very successful. Due to the success I played internationally in small and big clubs as well as festivals until the outbreak of corona. I have been interested in mastering since 2010 and was present at every session where a record was mastered for me. I was able to learn a lot through this, but it still took me many years to find the perfect setup for me and since 2019 I have been offering my own mastering service.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Take your time to get everything right. Your master can only be as good as your mix allows it to be.
Q: What do you bring to a song?
A: great sounding audio that translates the character and emotional impact of your music to listeners
Q: Tell us about your studio setup.
A: The studio is the result of years of innovation and refinement, combining the best of digital and analog. I work with selected high end analog equipment, KII Three Studio Monitors in an acoustically treated room. To provide a maximum of transparency, all gear is isolated by clean power sources and custom wiring.
Q: Describe the most common type of work you do for your clients.
A: I specialize in audio processing for analogue and digital products.Most of my clients have chosen to work with me because they appreciate my artistic flair for sound.
I was the Mixing & Mastering Engineer in this production
- Mastering EngineerAverage price - $50 per song
- Mixing EngineerAverage price - $450 per song
- Post MixingAverage price - $200 per minute
- RemixingAverage price - $1500 per song
- Kii Three
- Terry Audio CEQ
- Rupert Neve MBC
- Elysia MusEQ
- Crane Song
- BetterMaker Mastering Equalizer
- Tube Tech Hlt 2A