I work, produce master and publish techno music since 2016 in the underground UK techno scene
In my view, the aim of mastering is understanding what's your mix purpose, what feelings you want to communicate, and make sure we can achieve what you aim for while reaching the top industry standards in terms of sound quality and effectiveness.
Aiming to this means that a reference is important but only if applied to effective communication between artist and mastering engineer.
I have been mastering tracks for record labels particularly in the techno environment for over 4 years. My masters have been played by the top djs in the underground scene (Rebekah/I Hate Models/Perc/Jerome Hill to name a few) In places like Soenda/Reaktor/ADE and many others.
Send me a note through the contact button above.
ReviewsEndorse küetzal: sounds
Interview with küetzal: sounds
Q: Analog or digital and why?
A: I do own analog gear but for me, it's digital, 100%. There is just no match anymore.
Q: What advice do you have for a customer looking to hire a provider like you?
A: feel free to share what the music means to you, what are the bits you like most. this is the best way to get both on the same wavelength.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: a solar powered generator, my laptop, my headphones and my recorder. And my acoustic guitar.
Q: What type of music do you usually work on?
A: techno, electronic, house, ambient and some hip hop
Q: What's your strongest skill?
Q: What do you bring to a song?
A: Its best side, through communication with the artist and critical listening, to understand and unleash potential.
Q: Tell us about your studio setup.
A: - 100% Digital - DAW - Logic Pro X Plugin Workflow - Waves Masters - Izotope Ozone 9 Monitoring by ADAM Audio / KRK / Beyerdynamic PRO
Q: Describe the most common type of work you do for your clients.
A: Stem Mix + Mastering