
I've recorded and/or performed with Emmylou Harris, Tom Jones, Elvis Costello, Indigo Girls, Robert Plant, Shawn Colvin, Pete Seeger, Iris Dement, Steve Earle, Rita Wilson, Rufus Wainwright, Kristin Chenoweth, and many others. My corporate clients include ABC, USA, SyFy, Amazon Prime, NFL, EPIX, JWT New York, License Lab, and BIgger Story Music.
For electric bass tracks I'll provide both clean (DI) and dirty (amp/effects) tracks which you can blend to your liking. All tracks are recorded using Avalon or Useful Arts DIs, a Great River ME-1NV mic preamp, a dbx160 compressor, and Universal Audio interfaces. For acoustic bass tracks I use a Stager ribbon mic. See "Gear Highlights" for my updated instrument list.
Prior to recording, you will provide either consolidated stereo mixes or a folder with consolidated stem files suitable for use in Pro Tools. During this consultation you can express your creative ideas and preferences which I'll interpret and implement accordingly. You're encouraged to send chord charts and/or bass transcriptions as ideas or requests (extensive chart editing or rewrites may incur an upcharge).
Thanks for seeking me out and for trusting me with your music!
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
- Tom Jones
- Emmylou Harris
- Rufus & Martha Wainwright
- Iris Dement
- Collective Soul
- Dave Matthews
- Elvis Costello
- Robert Plant
- Indigo Girls
- Ben Folds
- Shawn Colvin
- Lyle Lovett
- Allison Moorer
- Solomon Burke
- Suzy Bogguss
- Ben Rector
- Maren Morris
- Brandy Clark
- Allison Krauss
- Guy Clark
- Tiffany
- Steve Earle
- Patty Griffin
- Leo Kottke
- Rita Wilson
- Rodney Crowell
- Buddy Miller
- Gillian Welch
- Arlo Guthrie
- Sam Bush
- The McGarrigles
- Steve Martin
- Pete Seeger
- Tim O'brien
- Darrell Scott
- Lee Ann Womack
- Vince Gill
- T.S. Monk
- Phil Keaggy
- Larry Carlton
- Over The Rhine
- Vigilantes of Love
- Sixpence
- Jars of Clay
- Fleming and John
- NASHVILLE SYMPHONY
- Lauren Daigle
- Nashville Soundtrack
- The Indigo GIrls
- Donovan
- Stu Garrard
- Lauren Daigle
- Indigo Girls
- Rissi Palmer
- Doug Seegers
- Doug Seegers
- Nashville Cast
- Danni Nicholls
- Danni Nicholls
- Danni Nicholls
- Danni Nicholls
- Danni Nicholls
- Danni Nicholls
- Danni Nicholls
- Danni Nicholls
- Yancy
- Nashville Cast
- Lucy Wainwright Roche
- Lucy Wainwright Roche
- Lucy Wainwright Roche
- One: A Worship Collective
- Young Hines
- Don Moen
- Don Moen
- Aaron Keyes
- David M. Edwards
- Selah
- Leigh Nash
- Ernie Haase & Signature Sound
- John Brannen
- John Brannen
- Chris McClarney
- Kelly Minter
- Kelly Minter
- Kelly Minter
- Kelly Minter
- Kelly Minter
- Chris McClarney
- Miriam Webster
- Michael Neale
- Aaron Keyes
- Aaron Keys
- Aaron Keyes
- Aaron Keys
- Nina Hagen
- Stuart Townend
- Yancy
- Walking Upright
- Walking Upright
- Todd MacDonald
- Sherwood
- Seeds Family Worship
- Seeds Family Worship
- Twila Paris
- Twila Paris
- Brigitte DeMeyer
- Brigitte DeMeyer
- Julie Miller
- Buddy Miller
- Margaret Becker
- Margaret Becker
- Margaret Becker
- Margaret Becker
- Bart Millard
- Bart Millard
- Bart Millard
- Bart Millard
- Allison Moorer
- Allison Moorer
- Allison Moorer
- Joel Auge
- Joel Auge
- Joel Auge
- Joel Auge
- Joel Auge
- 33Miles
- Chris Sligh
- Jeffrey Halford
- Tim Hughes
- Brian Smith
- Kellie Coffey
- Kellie Coffey
- Solomon Burke
- Cindy Morgan
- Cindy Morgan
- Cindy Morgan
- Cindy Morgan
- Rob Giles
- Vicky Beeching
- Sam Ashworth
- Sam Ashworth
- Bart Millard
- Bart Millard
- Bart Millard
- Bart Millard
- Rita Springer
- Michelle Tumes
- Michelle Tumes
- Joel Engle
- Joel Engle
- Joel Engle
- Sean Smith
- Sean Smith
- Jaime Jamgochian
- Ginny Owens
- Ginny Owens
- Laura Powers
- Margaret Becker
- Margaret Becker
- Jamey Clay
- Jamey Clay
- Jamey Clay
- Jamey Clay
- Jamey Clay
- SONICFLOOd
- Promise Keepers
- Collective Soul
- Collective Soul
- Terry Scott Taylor
- Christine Dente
- Margaret Becker
- Margaret Becker
- Margaret Becker
- Margaret Becker
- Margaret Becker
- Nichole Nordeman
- Brooks Williams
- Brooks Williams
- GlassByrd
- GlassByrd
- Dakota Suite
- Dakota Suite
- Dakota Suite
- Laura Powers
- Alathea
- Alathea
- Alathea
- Jill Phillips
- Jill Phillips
- Bill Mallonee
- Bill Mallonee
- Bill Mallonee
- Out of the Grey
- Hunter Moore
- Sheila Walsh
- Gordon Kennedy
- Lincoln Brewster
- Lincoln Brewster
- Acoustic Worship
- Kenny Meeks
- Kenny Meeks
- Kenny Meeks
- X-Treme
- X-Treme
- Cindy Morgan
- Say-So
- Sixpence None the Richer
- Sixpence None the Richer
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Vigilantes of Love
- Matt North
- Dakota Suite
- Twyla Foreman
- Phil Madeira
- Phil Madeira
- Organic Spark
- Organic Spark
- Organic Spark
- Will Kimbrough
- ESOEBO
- ESOEBO
- ESOEBO
- Organic Spark
- Three Ingredients or Less
- Organic Spark
- Yancy
- Yancy
- Alice Peacock
- Alice Peacock
- Organic Spark
- Organic Spark
- Michael Logen
- Andy Bromley
- George Tifft
- Phil Madeira
- Yancy
- Mark Tedder
- Rebecca Sayre
- Organic Spark
- Terry Scott Taylor
- Brigitte DeMeyer
- Brigitte DeMeyer
- Brigitte DeMeyer
- Brigitte DeMeyer
- Brigitte DeMeyer
- Brigitte DeMeyer
- Brigitte DeMeyer
- Tiffany
- Will Kimbrough
- Will Kimbrough
- Organic Spark
- Sam Torode
- Peter Rogan
- Peter Rogan
- JC Coe
- Changing Horses
- Changing Horses
- Changing Horses
- Changing Horses
- Changing Horses
- Melissa Brett
- Beken
- Beken
- Beken
- Beken
- Beken
- Beken
- Beken
- Beken
- Beken
- Al Perkins' Big Dog 3
- Lazar Lazar
- Tiffany
- Danni Nicholls
- Vigilantes Of Love
- Lazar Lazar
- Various
- Vigilantes Of Love
- Vigilantes Of Love
- Mo Leverett
- Say-So (2)
- Sixpence None The Richer
- Various
- Phil Madeira
- Eric Hauck
- Christine Glass
- Various
- Various
- David Davidson
- Various
- Terry Scott Taylor*
- Scarecrow & Tinmen
- Lincoln Brewster
- Various
- Phil Keaggy
- The Choir (2)
- Tom Howard, Gary Sadler
- Various
- Robin Mark, Stuart Townend, Gary Sadler, John Hartley
- Sheila Walsh
- Hunter Moore
- Paul Baloche
- Out Of The Grey
- Twila Paris
- Various
- Ginny Owens
- Stuart Townend
- Various
- Various
- Cooler Kids
- Jars Of Clay
- Cooler Kids
- Various
- Various
- Dakota Suite
- Margaret Becker
- Andrew Peterson
- Jonathan Noël
- Faith Yesner
- Laura Powers
- Jill Phillips
- Nichole Nordeman
- Various
- Leslie Mills
- Geraldine Latty
- Margaret Becker, Kristyn Getty, Joanne Hogg , Created By Keith Getty
- Margaret Becker, David M. Edwards
- Maranatha! Promise Band
- Laura Powers
- Michelle Tumes, Susan Ashton, Christine Dente*
- Ginny Owens
- Collective Soul
- Various
- Various
- Sam Ashworth
- Jason Harrod
- Lost Dogs
- The Katinas
- Rachael Lampa
- Bart Millard
- Sonicflood
- Vicky Beeching
- Rita Springer
- Jadon Lavik
- Andi Starr
- Mark Tedder
- Jason Morant
- Jay McNeill & Helena McNeill
- Phil Wickham
- Cindy Morgan
- Solomon Burke
- Brigitte DeMeyer
- Joel Engle
- Kelly Minter
- Robin Mark
- Dakota Suite
- Paul Baloche
- Solveig Leithaug
- Cindy Morgan
- Godfrey Birtill
- Bart Millard
- Joel Augé*
- Allison Moorer
- 33Miles
- David Moore (9)
- Al Perkins' Big Dog 3
- Buddy & Julie Miller
- Kari Jobe
- Chris Tomlin
- Carola Becker
- Derek Hoke
- Lazar Lazar
- Nina Hagen
- Joe Nolan (3)
- Miriam Webster
- Tiffany
- Tiffany
- Cory Chisel
- Tara O'Grady
- Aaron Keyes
- Don Moen
- Clouds Echo In Blue
- Leigh Nash
- Don Moen
- Cindy Morgan
- Various
- Changing Horses
- Derek Hoke
- Caitlin Rose
- Terry Scott Taylor*
- Dakota Suite
- Various
- Amanda Noël
- Susan Ashton
- Nashville Cast
- Lucy Wainwright Roche
- Doug Seegers
- Various
- Phil Madeira
- Nashville Cast
- Pete Kronowitt
- Phil Madeira
- Coco O'Connor
- Michael Logen
- Ian McFeron
- Kerosene Halo (2)
- Argyle Park
- Doug Seegers
- JJ Heller
- Various
- Stu Garrard*
- Brigitte DeMeyer & Will Kimbrough
- Jonathan* & Amanda Noël
- Phil Madeira
- Dakota Suite, Dag Rosenqvist, Emanuele Errante
- The Choir (2)
- Lovers & Lions
- Phil Madeira
- Will Kimbrough
- Iris DeMent
- Phil Madeira
- Phil Madeira
- Red Dirt Boys
- Red Dirt Boys
- Angela Autumn
- Pat Byrne (4)
- Various
- David Olney & Anana Kaye
- The Choir (2)
- Phil Madeira
- The Imaginaries
- Lumenette
- Terry Scott Taylor*
- Iris DeMent
- By The Tree
45 Reviews - 13 Repeat Clients
Endorse Chris Donohue- check_circleVerified
The GREATEST bass player of Soundbetter! Chris is a GENIOUS!!!! He immediately understood my needs and came with a pure groovy bass line which completely transformed my project!
Chris is nice, talented, experienced and very gentle! He is THE ONE you need for your projects! Stop searching around, the best bass player is him! No doubt about it! - check_circleVerified
Chris is very professional, and very quick.
Thanks for the great double bass track! - check_circleVerified
Simply excellent! Detail oriented, and as communicative as you can ever want in executing ideas for your projects! :)
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Phenomenal! Chris did as tasteful and just plain skillful a job on this project as I can imagine anyone anywhere doing. I'd call him again in a heartbeat. Great communication and very quick turnaround to boot!
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Terrific bass player and very nice to work with. He elevated the piece I gave to him and I'm sure will be collaborating again!
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Incredibly beautiful, thoughtful upright bass tracks that really elevated my song. Super fast turnaround. Just an amazing experience. Definitely will hire again.
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Chris has such a great sense of musicality and is very easy to communicate with. The tracks he provided were absolutely wonderful. The track that followed my instructions was perfect and would have left me 100% satisfied--but his "inspired" track was beyond perfect. Is there a 6th star. I'd recommend Chris to anyone looking for bass tracks and will reach out again in the future.
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Chris has recorded two bass tracks for me. He is extremely talented and easy to work with. His communications with me couldn't be any better, a real pro. I can't think of a reason why I would not use Chris again for all my tracks.
- check_circleVerified
Chris is highly professional, and a great musician. I found him wonderful to work with, and most importantly his playing and recording skills greatly enhanced and served the song. I feel fortunate to have found him. LJ
- check_circleVerified
chris is great to work with!
- check_circleVerified
Chris is the man and delivers exactly what I need!
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chris did a fantastic job!
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Excellent!!!
- check_circleVerified
Chris is a fantastic collaborator. He is creative, honest, passionate, and readily offers his best on every project. I highly recommend him to you for any of project.
- check_circleVerified
Chris is amazing! He is so talented and he creates the best bass lines that make songs shine! He is friendly, quick, and knows his music theory!
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Chris is a real pro. Easy to work with, responsive, and most importantly, a great player. He provided me with a couple of upright bass tracks that were spot on. I will definitely us Chris again.
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Chris did a great job and the turnaround was very quick. I’m very happy!!
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Chris did a great job with the part and gave me several options. Top-notch work. I will use him again.
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Chris is not only an amazing talent, but a thoughtful communicator who will ensure that he provides the best possible results that fit your musical vision. I highly recommend!
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Chris was a delight to work with. He communicated with me regularly and without delay. His musical ideas and ability to interpret the part made the process easy and enjoyable. His playing is, as expected from a player of his quality, completely top notch. I’m looking forward to working with him again.
Interview with Chris Donohue
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: In 2013 I produced a record for the Haitian folk singer Beken, which required several trips to Port Au Prince to record lead vocals, primary acoustic guitar, and accordion, before finishing the tracks at my Nashville studio. It required enormous amounts of diplomacy and persistence to bring to fruition, but was well worth it in the end. I remain grateful to Thirty Tigers Music for making it possible and also for the filmmaker Jonathan Demme, who is himself heavily invested in Haitian artistic culture and reached out to me to offer ongoing support throughout the making of the album.
Q: Analog or digital and why?
A: Analog into digital! Plugin technology is better than ever and amazingly efficient, but there is no substitute for real tubes in the signal chain.
Q: What's your 'promise' to your clients?
A: 1) I will draw upon all my years of experience and musical sensibilities to honor your songs. 2) I will communicate clearly and honestly. 3) I will draw you into the process.
Q: What's the biggest misconception about what you do?
A: It's "just bass." (-;
Q: What questions do you ask prospective clients?
A: How were the existing tracks recorded? Are there any parts in the song you would like for me to highlight or accentuate? What singers/bands do you like? How will this recording eventually be used?
Q: What advice do you have for a customer looking to hire a provider like you?
A: 1) Consolidate your tracks to :00 and know your exact grid tempo (if a click track was used). 2) Make sure the vocal in the stereo mix in't too loud - otherwise it can obscure the chord changes and groove elements I will need to hear clearly. 3) Wav files are preferred over mp3s.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My 1975 Fender Jazz bass, a headphone amp, an iPhone, a solar charger, and a pocketknife.
Q: What was your career path? How long have you been doing this?
A: I've been a full-time session and performing musician for over 25 years. After moving from New York to Nashville in 1994, I toured with various artists throughout the nineties including GA-based Vigilantes Of Love and Nashville-based, Grammy Award-winning Sixpence. I built my session career as my creative community in Nashville expanded and I continue to work with many of the same producers and musicians to this day. I've been a member of Emmylou Harris' live band since 2006.
Q: What do you bring to a song?
A: I work hard to make sure my bass parts not only feel good groove-wise but are also tasteful and stylistically appropriate for the song. Though I'm alone when recording remotely, I work hard to create parts that sound as if they were recorded simultaneously with the other instruments in the track.
Q: What's your typical work process?
A: I usually record one take that is very basic and incorporates any particular requests from the client, and another take where I play more intuitively and spontaneously. In this way the client can select which approach they like best or combine elements of the two into a single "comp" take.
Q: Tell us about your studio setup.
A: My work suite is housed within a full production studio in East Nashville. I record using Pro Tools with version updates performed monthly. My signal chain includes preamps by Great River, Useful Arts, and Avalon, a Dbx 160A compressor, and various pedals by Aguilar, Lehle, Darkglass, and many more. My 19th-century Tyrolean double bass is recorded with a Stager ribbon mic.
Q: What other musicians or music production professionals inspire you?
A: There are too many to list, but Buddy Miller and Emmylou Harris certainly deserve particular mention as they are not only masters of their craft, but they've also connected me with musicians such as Robert Plant, Indigo Girls, Shawn Colvin, Dave Matthews, Iris Dement, Elvis Costello, and so many others.
Q: What are you working on at the moment?
A: I've just finished a collection of bass-forward cues for a media library and am preparing for upcoming shows with Emmylou Harris and Iris Dement.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Dennis Holt (drums) and Phil Madeira (keys)!
Q: What do you like most about your job?
A: Getting into my flow state, listening deeply, and losing track of time.
Q: How would you describe your style?
A: Tasteful, confident, and - when called for - assertive.
Q: Which artist would you like to work with and why?
A: Springsteen. No explanation required.
Q: Can you share one music production tip?
A: Remain constantly aware of what the listener is meant to be paying attention to at any given moment.
Q: Describe the most common type of work you do for your clients.
A: Recording bass tracks, composing music for media, and live performance.
Q: What type of music do you usually work on?
A: In any given season I work on a broad range of projects from the Rock, Pop, Country, Jazz, and Musical Theater genres, but Americana has been the main focus of my career.
Q: What's your strongest skill?
A: Deep focus.

I was the bassist in this production
- Texas Was Clean by Indigo Girls
- Hyperloop by Chris Donohue
- Bed-Stuy Beatdown by Chris Donohue
- "Gasoline And Matches" by Buddy & Julie Miller
- Bass UprightAverage price - $170 per song
- Bass ElectricAverage price - $150 per song
- Bass FretlessAverage price - $150 per song
Client provides stem mixes as requested. I provide two takes and up to two revisions. Additional revisions may incur an upcharge. Timeline is schedule-based. Sound samples provided upon request.
- Electric basses by Fender
- Music Man
- Gibson
- Lakland
- Offbeat
- and Epiphone / Acoustic basses by Kala and Boulder Creek / 19th Century Tyrolean contrabass / Preamps by Great River
- Avalon
- and Useful Arts / Tyler Flip Top Bass 1x15 tube amplifier
I'll do my best to accommodate any budget!