Word class mixing and recording studio, we have worked with a lot of Artists from around the world.
Flowriders Studio is located 10 min drive from the east of Amsterdam.
The control room is based around an SSL 4000 E and has a lot of ( vintage ) outboard
as well as (vintage ) synths, amps and drum computers.The control room has a small booth
connected to it ( 12 m2 ) where you can do overdubs, vocals, drums etc.
The live room is 150 m2 with a drum booth connected to it (65 m2. ).
The reverb of the drum booth can be adjusted with panels.
The Live room features a Steinway D grand piano as well as an Hammond B3.
We still have a good Studer A800 24 track tape recorder for recording to tape.
Besides that there is a very big mic selection with a lot of amazing vintage mics.
Please feel free to contact us if you have any questions.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Credits
AllMusic verified credits for Vincent Helbers- Jameszoo
- Jameszoo
- Nicole Bus
- José James
- Ntjam Rosie
- Ntjam Rosie
- Gerd
- Gerd
- Gerd
- Gerd
- Gerd
- Gerd
- Gerd
- Gerd
- J. Moods
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Brotherly
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ntjam Rosie
- Ntjam Rosie
- Ntjam Rosie
- Ntjam Rosie
Interview with Flowriders Sudio
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I'm proud of all the projects I work on.
Q: What are you working on at the moment?
A: Airto, The Rise, Ntjam Rosie, Gerd, LYMA, Richard Spaven, Seravince
Q: Analog or digital and why?
A: Both, anything that gets a good result, often hybrid works really well.
Q: What's your 'promise' to your clients?
A: That they leave with a very good result.
Q: What do you like most about your job?
A: Getting a great result.
Q: What questions do customers most commonly ask you? What's your answer?
A: Can you get me this or that sound, yes I can..
Q: What's the biggest misconception about what you do?
A: That I make a vintage sound only...
Q: What questions do you ask prospective clients?
A: A lot, what music they like, how they record, what times they work, what there budget is, what expectations they have, why music they are inspired by, etc
Q: What advice do you have for a customer looking to hire a provider like you?
A: Come by the studio to get information.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: sm 57, SPL transient designer, MPC 3000, neve 1073, neumann U47
Q: What was your career path? How long have you been doing this?
A: I started as a musician, still playing and performing, 15 years of recording and mixing now.
Q: What do you bring to a song?
A: Signature sound.
Q: What's your typical work process?
A: I don 't think I have a typical process, every client is different and needs a different approach.
Q: Tell us about your studio setup.
A: A studio based Around an SSL 4000 with lots of outboard , vintage and modern equipment.
Q: What other musicians or music production professionals inspire you?
A: James Blake, Bob Power, Beyonce,
Q: Describe the most common type of work you do for your clients.
A: Recording and mixing for Artists and in that process also help them with the pre production
- Mixing EngineerAverage price - $450 per song
- Recording StudioAverage price - $600 per day
- ProducerAverage price - $400 per song
- Mastering EngineerAverage price - $80 per song
- Songwriter - MusicContact for pricing
- Beat MakerAverage price - $400 per song
- Keyboards - SynthAverage price - $70 per song
- SSL 4000
- Neumann U47
- Soundelux 251
- Tubetech Cl1b
- WSW compressor
- teleufunken V676 pre amps
