During my career, I have worked with the world's best soloists and amazing orchestras at such legendary studios as Abbey Road (UK), AIR (UK), RAK (UK), Blackbird (USA), La Fabrique (FR)
I equally love working with big orchestral film music as a composer and with various artists as a producer-arranger. I often write songs for artists and help them with the technical aspects of recording. I have my own fully stocked studio as well as a large collection of guitars, microphones, synthesizers and other equipment.
I studied with Alan Meyerson (mix engineer "Pirates of the Caribean", "Interstellar", "Dune") and Haydn Bendall (Paul McCartney, A-Ha, Peter Gabriel, Elton John)
Send me a note through the contact button above.
Credits
Interview with Roman Seliverstov
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I worked as a composer for a movie and we recorded my music at Abbey Road Studio 1 with incredible musicians and engineers! I did that several times later at Abbey, and AIR and other great studios, but that first time at Abbey was absolutely amazing!
Q: What are you working on at the moment?
A: I'm working on the score to big action movie
Q: Analog or digital and why?
A: Both, as they have their own advantages
Q: What's your 'promise' to your clients?
A: Attitude! Attitude and professionalism!
Q: What do you like most about your job?
A: Every artist, every musical composition is always new and the experience is never repeated twice
Q: What questions do customers most commonly ask you? What's your answer?
A: They usually ask me about my experience in music genres and what I think of their demo. So, I answer: "Let's try to make it as great as we can!" The only way to create something great is to start!
Q: What's the biggest misconception about what you do?
A: I have to sleep))
Q: What questions do you ask prospective clients?
A: I usually ask them how they want their tracks to sound. As I'm producer or arranger I want make sure that we're going in the right direction and I really don't ever want to change the song in a wrong way.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacMini, AD/DA converter, Microphone, Preamp, Monitors
Q: What was your career path? How long have you been doing this?
A: I've been doing this for almost 25 years, from recordings with my dad as a child to being released with my projects on Netflix.
Q: How would you describe your style?
A: Gentle and classic with tons of melodic
Q: Which artist would you like to work with and why?
A: Paul McCartney, Ed Sheeran because of their melodic and harmony vibe in songs.
Q: Can you share one music production tip?
A: Dont listen anyone and do what you fell
Q: What type of music do you usually work on?
A: Film music, songs
Q: What's your strongest skill?
A: Composing, production, songwriting
Q: What do you bring to a song?
A: Melodiousness
Q: What's your typical work process?
A: I work everyday from 11
Q: Tell us about your studio setup.
A: I have my own production studio based on MacPro and Apogee Symphony AD/DA + Antelope 10M word clock. Also I have a collection of guitars, basses, classic microphones, modern and vintage synth and a great outboard devices.
Q: What other musicians or music production professionals inspire you?
A: Paul McCartney, Freddie Mercury, Jerry Goldsmith, Max Martin, Ed Sheeran
Q: Describe the most common type of work you do for your clients.
A: Songwriting, production, vocal editing/tuning, tracking
I was the Producer, Arranger in this production
- ProducerAverage price - $700 per song
- Composer OrchestralContact for pricing
- Film ComposerContact for pricing
- String ArrangerAverage price - $350 per song
- PianoAverage price - $125 per song
- Acoustic GuitarAverage price - $125 per song
- Vocal TuningAverage price - $75 per track
Average turnaround time is 2 to 3 business days.
- Mac Pro
- Cubase
- Protools
- Apogee Symphony + Antelope 10M
- Guitars and Synth collection
- Modern and Vintage Outboard
- All possible plugins & VST