If you listen to Electronic music, you might have heard one of my tracks, "Movements" already. It has amassed over 400 million streams worldwide. When it comes to creating music I love bringing the artist's vision to life and make it sound incredible. My music is mostly electronic, but I love anything that is related with music!
If you need type beats and reproductions you're on the wrong profile! :)
As a producer, I'm best at making songs that are personal and special. I love to listen how people want to express themselves and use my technical knowledge to make it reality. I feel like I have a gift that I should use for that specific purpose.
When it comes to mixing - I like music that is a pleasure to listen to, dynamic, wide and spectrally pleasing, especially on headphones - and I spent the same amount of time on learning how to mix. My favourite mix engineers are Serban Ghenea, Teezio and my talented colleagues: Enzu and mixedbytrzy.
If you're willing:
- to spend some time preparing your references,
- think about what inspires you and makes you amped up,
- have a short chat or call with me about all the above,
- in case of mixing - prepare stems correctly! :)
Then you can be sure the result will make you AT LEAST happy. I love to take my time and I learn every day how to be a better musician.
PS: I also do licensing for commercial - my music has been used in a Hyundai commercial, Żabka, Zott and many smaller brands. I do briefings about what's the target medium (phone/internet/cinema) and target audience so the music always fits "like a glove". I specialize in hip-hop/electronic compositions the most and I love sound design too.
Contact me through the green button above and let's get to work.
Credits
Discogs verified credits for PhamLanguages
- English
- Polish
Interview with Pham
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: The most recent hyperpop project that I'm producing for my talented colleague Lotta is almost like a singularity of my experience as a musician. I can truly be myself and I have so much fun coming up with music that makes me happy and to be mixing it myself - it's like a perfect musical playground.
Q: Analog or digital and why?
A: Digital has gotten so good over the years (for example Acustica Audio plugins) that there are no reasons to bring it outboard, unless you already have a studio. Even then that's just a hefty electricity bill.
Q: What's your 'promise' to your clients?
A: I will treat your song as if it was my own.
Q: How would you describe your style?
A: Holistic.
Q: What type of music do you usually work on?
A: Electronic! I love electronic music so much.
Q: What's your typical work process?
A: I like to probe what my clients like and get inspired by and a lot of time I find something the client was not aware of yet gravitated towards. I like to take to extract my clients taste out of the references. As nebulous as 10 references can sometimes be I always seek for the common denominators and that gives me good intuition - keeps me grounded but still lets me innovate. As a producer then I come up with an idea or ideas, when it gets approved I do a big run of work and come back, do revisions and ask for more specific directions and after a day or two of mixing and listening - fin! When mixing I usually do a big chunk of mixing after debriefing and then do revisions and mastering in the end.
Q: Tell us about your studio setup.
A: It's a semi-treated room in which I work on headphones first. For efficiency I use a lot of plugins, but I don't hesitate to use my Super-6 to give known sounds a little twist. I rarely use the rest of my synths unless they feel essential to the composition. I listen to music on Audeze LCD-2 and my monitors are Focals Shape 65.
Q: What other musicians or music production professionals inspire you?
A: I absolutely love the creativity and mellowness of Saya Gray, grooviness and confidence that resonates from Channel Tres's music, the depth of Burial's work and I could go on and on because every artist in a way makes me realize of how vast and awe-inducing is music in general. I can send you my playlists if you want to know more!
Q: Describe the most common type of work you do for your clients.
A: Music production, vocal mixes, song mixdown, stem mastering and music for commercials - in that particular order.
- ProducerAverage price - $800 per song
- Mixing EngineerAverage price - $600 per song
- Mastering EngineerAverage price - $80 per song
- Ghost ProducerAverage price - $800 per song
- Vocal TuningAverage price - $75 per track
Typical turn-around for production is 2 days for the initial idea and finish date is dependent on the material, but is never longer than 1-2 weeks.
Mixing: 1-4 days.
All unlimited revisions.
- Fred again..
- Nosaj Thing
- 100 gecs
- Software
- Focal Shape 65/Audeze LCD-2C/UDO Super 6/Moog Sub37/SoMA Lyra/Roland TR-808
- Moog DFAM
- Yamaha DX-7
- Avantone Reference Monitors
-15% for first clients 🎈
