Recording/Mixing/Mastering

Q: Analog or digital and why?

A: I prefer a combination of both as analog gives (most of the times) a different colour and character to the sound and digital gives the ease of use and recallability.

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: My favourite project I have worked on is an album called "Smyrnae" by a nu-jazz trio named "Op3". I was the recording, mixing and mastering engineer on this project and helped with the production of it as well. It's a great album, with a concept dedicated to all the refugees around the world.

Q: What are you working on at the moment?

A: I am currently working on some drum covers and drum cam video recordings by the super talented drummer Eleni Nota.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: My iMac, my trusty TC Electronic Impact Twin audio interface, my favourite JZ BH Microphone, my Eve Audio SC207 studio monitors and a channel strip from my Toft ATB16 console (that EQ is fantastic).

Q: Can you share one music production tip?

A: Get it right from the source!

Q: What type of music do you usually work on?

A: I mostly work on rock and metal genres, but have also worked with nu-jazz, acoustic and neo-classical artists.

Q: What's your strongest skill?

A: I think my strongest skill is drum mixing and that's because I believe that drum sound is 50% of the mix (in most styles of music I work with).

Q: Tell us about your studio setup.

A: My setup is pretty minimal, with a Toft ATB16, a MOTU AVB16 audio interface as my converter, an iMac and a pair of Eve Audio SC207 as my main studio monitors. Everything else is ITB with some things going on the console eq for some colour.

Q: Describe the most common type of work you do for your clients.

A: My main service is mixing. I receive already recorded multi-tracks from the artist and try my best to make it sound how the client wants.