Well seasoned mixing engineer with decades of experience and studio ownership. Open minded approach to all projects and willing to give an outside opinion to help deliver a quality final product. Lover of harmonic distortion!!!!!
As every artist will have a different vision, each project will be approached differently but will still have the same professional quality result. I am flexible with multiple song discounts to cater to bigger projects. Feel free to inquire.
Send me an email through the 'Contact' button above and I'll get back to you asap.
Contact me through the green button above and let's get to work.
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Interview with Ryan Sanders
Q: Analog or digital and why?
A: Digital. Recall-ability and control. I like the romance and art of having analog gear and controls in front of me, but end of the day I get better results in the digital domain, and have a faster/more creative workflow because of it.
Q: What's the biggest misconception about what you do?
A: There tend to be people who think that mixing will change the song. In an ideal world, mixing is enhancing/bringing out the heart of the song, but not changing production.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure your songs/production are good. No amount of mixing can make a bad song a good one.
Q: What type of music do you usually work on?
A: Honestly a bit of everything. My clients tend to largely come for my pop, rock and indie credits, but I love mixing more acoustic music as well; especially roots rock.
Q: What's your strongest skill?
A: I'd like to think my ears, and attention to detail.
Q: What do you bring to a song?
A: I like to think I bring the song to the song. I try to find the core of the music and make sure it's presented in the best light. Often it's the vocal, sometimes it's the beat, but I think my strongest asset is my ability to do what the song needs. Whether it's a bright polished pop mix, a lo-fi indie mix, or a clean acoustic song. If the song is there, production is good, then we can get a great mix every time. I of course am not a magician if the production has issues, or the song is lacking, I may be able to improve the mix, but it won't create something that's not there.
Q: What's your typical work process?
A: After I receive files and funding, I will prep the session and get it on my calendar, or let the client know if there's something missing or that needs to be fixed. I get a first pass to clients typically about a week later, and then if they have notes I recall and address as needed. Turnaround depends on my calendar, and the scope of project but is usually around 2 weeks start to finish.
Q: Tell us about your studio setup.
A: I mix entirely in the box and use Logic Pro. I employ plugins from FabFilter, Sound Toys, Waves, among many others.
Q: Describe the most common type of work you do for your clients.
A: I'm primarily a mixing and live engineer. I have clients country to jazz but most of my more recent credits are in indie and rock.