
Smokah Music | Reggae & Dancehall Producer
with over 20 years of experience crafting high-quality riddims and authentic Caribbean sounds. Focused on the roots and evolution of Jamaican music, Smokah creates beats that honor tradition while staying relevant to today’s sound.
The production process is grounded in organic musicianship, with basslines and guitar work recorded and shaped in-house to retain the warmth, depth, and rhythmic pulse essential to reggae and dancehall. Each riddim is built with care, from the foundation up, with vocalists, deejays, and sound systems in mind.
Specialized in:
Dancehall instrumentals
Revival-style reggae riddims with roots textures
One drop, rub-a-dub, and stepper rhythms
Dubplate-ready versions tailored for voicing and live sound
Clean, full-bodied mixes optimized for recording and performance
Whether you're working on a project, voicing a riddim, or building your catalog, Smokah Music provides real, uncompromising Caribbean sound.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Languages
- English
- Spanish
Interview with Smokah Music
Q: What do you bring to a song?
A: I bring soul, depth, and authenticity. Every song I work on carries a piece of me whether it’s the energy of roots reggae, the pulse of dancehall, or the vibe of an urban fusion. I focus on making sure every element of the track has purpose, that it tells a story, and that it feels alive. I aim to create music that not only sounds good but resonates emotionally, music that sticks with you long after the track ends.
Q: What's your typical work process?
A: My process begins with feeling the vibe whether it's a deep reggae groove or an urban twist. I start by sketching the core of the rhythm, allowing the instruments and melodies to evolve naturally, like a conversation between sounds. From there, I refine the details, ensuring the beat feels alive and speaks to the heart. Whether it's a custom riddim or a full track, my goal is to create something timeless, a piece of music that connects with the listener on a personal level.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: One of the projects I’m especially proud of is my One Riddim productions. It’s not about the recognition, but about the energy captured in each artist’s voice. The strongest one has been the Samoa Riddim, a dream come true. It represents the collaboration and raw energy of everyone who participated, and it’s a project that truly resonates with me on a deeper level.
Q: What are you working on at the moment?
A: Right now, I’m focused on finding a balanced blend between roots sound and modern influences, along with working on riddims and projects with local artists. It’s all about merging tradition with innovation.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Yes, I would recommend Costa Rebel. Although I haven’t met him in person, we’ve connected online, and I’ve seen his work. He’s a talented producer, and his skills speak for themselves.
Q: Analog or digital and why?
A: I prefer a hybrid approach — blending the best of both analog and digital. Analog offers warmth and character, while digital provides precision and flexibility. Together, they create a perfect balance for achieving the sound I envision.
Q: What's your 'promise' to your clients?
A: My promise to my clients is not about empty promises, but about setting measurable and achievable goals. I am dedicated to helping you find your unique sound, bringing your vision to life through music.
Q: What do you like most about your job?
A: What I like most about my job is that it's not just a job—it's my whole life. Music is my essence, my passion, and my purpose. It's where I find peace, expression, and connection with the world.
Q: What questions do customers most commonly ask you? What's your answer?
A: A common question I get is why I don’t have more recognition. My answer is simple: It's a mission, not a competition. The journey is about staying true to the art and letting the music speak for itself, not about rushing to recognition. It’s about creating with purpose, not following trends.
Q: What's the biggest misconception about what you do?
A: The biggest misconception about what I do is that perfection is always the goal. While striving for quality is important, being overly perfectionist can sometimes hinder the creative flow. Music is about feeling, energy, and connection not just flawless technicality. It’s about knowing when to let go and let the vibe speak for itself.
Q: What questions do you ask prospective clients?
A: I would ask: What do you want your music to communicate beyond the material? What emotions, stories, or messages do you want to evoke? Music has a spiritual dimension, and I believe that the energy behind a song can speak louder than any melody or beat. Understanding the deeper meaning of your project helps me create something that truly connects, not just sonically but emotionally and spiritually.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Trust in the process and be open to collaboration. Music is a journey, and I’m here to help bring your vision to life, but the best results come when we communicate clearly about your ideas and expectations. Whether you're looking for a custom riddim, a unique sound, or a polished final mix, it’s important to be honest about what you want, while also being open to creative suggestions. The more you share about your vibe, influences, and goals, the more we can make something that truly resonates with you. Stay patient and trust that every detail counts—great music doesn’t happen overnight, but it’s worth the time and care we put into it. Let’s create something that speaks to the soul!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A sturdy knife essential for survival, but also useful for crafting simple instruments or objects to connect with nature in a creative way. A solar-powered charger not just for communication, but to keep my devices alive for musical inspiration, whether it's recording sounds, mixing, or even writing melodies. A journal and pen where I could write down ideas, reflect on my journey, and craft lyrics or music theory that resonate with the solitude of the island. Music is often born from moments of stillness. A fire starter kit for warmth and safety, but also for creating a sense of ritual. There's something elemental in gathering around a fire, whether to reflect, compose, or simply enjoy the rhythms of nature. A guitar my companion through every moment. The strings would carry my emotions through the silence, providing a constant source of sound, inspiration, and connection with the island’s pulse. In a way, each piece not only serves to keep me alive but to preserve my connection with creativity, grounding me through both the physical and emotional landscapes. The guitar, like the island, would be my sanctuary both a tool of survival and of musical expression.
Q: What was your career path? How long have you been doing this?
A: I’ve been in the music game for over 20 years, starting with a deep love for reggae and dancehall. I began producing early on, experimenting with different sounds and learning through trial and error. Over the years, my style evolved, blending classic reggae elements with modern urban vibes like hip-hop and afrobeat. I’ve worked with many artists, built my sound, and now, I focus on creating high-quality beats and offering production services to help other artists bring their music to life.
Q: How would you describe your style?
A: My style is a fusion of authentic reggae vibes with modern urban influences. I like to blend deep, soulful rhythms with street energy, creating music that feels both timeless and fresh. It’s all about crafting that perfect balance whether it’s roots, dancehall, or reggae-trap there’s always a sense of emotion, power, and a bit of mystery in my sound.
Q: Which artist would you like to work with and why?
A: I’d love to work with Alborosie. His influence on my music is undeniable his ability to fuse reggae with modern elements while keeping that authentic roots sound is something I deeply admire. Collaborating with him would be an amazing opportunity to blend my own style with his unique approach to reggae and urban rhythms.
Q: Can you share one music production tip?
A: In the world of sound, everything has a vibration, and every beat carries its own soul. Listen to your track as if you were hearing it for the first time—without judgment, just feeling. Sometimes, the most powerful changes come from moments of stillness, when you let the rhythm breathe and align with the energy of the song. Trust the process, and let the music guide you to its true form.
Q: What type of music do you usually work on?
A: I mainly focus on reggae, dancehall, and urban beats with a touch of fusion. My work blends traditional Jamaican sounds like One Drops and Roots with modern influences like hip-hop, Afrobeat, and even reggae trap. Whether it’s crafting powerful riddims for a classic reggae vibe or creating something fresh for a more experimental project, I love pushing boundaries while staying true to the roots.
Q: What's your strongest skill?
A: My strongest skill is creating powerful, emotionally charged riddims that connect with the listener. I have an intuitive ability to blend traditional reggae with modern elements, crafting unique sounds that feel both timeless and fresh. Whether it's the groove of the bass or the flow of the drums, I know how to build a foundation that allows the artists to truly express themselves while keeping the music raw and real.
Q: Tell us about your studio setup.
A: My studio is my sacred space—where rhythm meets soul. It's built for capturing the warm, organic essence of reggae while allowing creative freedom to explore modern urban sounds. Every session feels like a ritual, crafted with intention and deep musical connection.
Q: What other musicians or music production professionals inspire you?
A: I’m inspired by producers like Stephen Marley, Sly & Robbie, Timbaland, and J Dilla. Their ability to blend groove, emotion, and sonic identity deeply influences my approach.
Q: Describe the most common type of work you do for your clients.
A: I create custom reggae and urban beats (riddims), and offer specialized mixing and mastering services tailored for reggae, dancehall, and urban genres—warm, punchy, and release-ready.

I was the Producer, Mix & Mastering Engineer in this production
- Full instrumental productionContact for pricing
- Beat MakerContact for pricing
- Electric GuitarContact for pricing
- Bass ElectricContact for pricing
- Mixing EngineerContact for pricing
- Mastering EngineerContact for pricing
Revisions:
1 Major, 2 Minor
Turnaround Time (Beats, Mix & Mastering)
Typical delivery in 5 –10 business days, depending on track complexity
- Chronixx
- Collie Buddz
- Alborosie