Multiplatinum Mixing/Recording Engineer Producer: Halsey, Banks, 21 Pilots, Calum Scott and Leona Lewis, Beyonce.
The steady hand of mixer, producer, and engineer Christopher Spilfogel has been trusted in music and film sessions across Los Angeles for decades. A California native, Chris held the title of Head Engineer for Underdog Ent. production duo, garnering him session experience with Beyoncé, Ruben Studdard, Tori Kelly, and many other artists. During that time he worked as an engineer for the academy award winning movie “Dreamgirls”. He would go on to produce/mix/record songs for Leona Lewis, Halsey, 21 Pilots, Banks, and more. When Chris is not working on records he is Recording and mixing film scores. He has upwards of 40 movies under his belt. A few examples being The Insidious series, The Conjuring series, Annabelle, Dreamgirl’s as well as many others.
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1 ReviewsEndorse Chris Spilfogel
I have known and worked with Chris since 2002 and you are very fortunate to have ears like his working your project. His experience is vast and and diverse, with an emphasis on the cinematic and pop world. From some of the most popular horror films ever made, to pop music giants like Beyonce and Justin Timberlake, to Oscar winning films like Dreamgirls you can't go wrong with Chris period. He is humble, kind, passionate and has a lifelong dedication creating to musical a sonic fingerprint that is undeniable. His resume is impressive, but Chris far exceeds his accomplishments.
Interview with Chris Spilfogel
Q: How would you describe your style?
A: Punchy and Textural
Q: Can you share one music production tip?
A: Make fewer elements do more work
Q: What was your career path? How long have you been doing this?
A: I have been doing this professionally for 20 years.
Q: What type of music do you usually work on?
A: Pop alternative/ Horror Films
Q: What's your strongest skill?
A: I feel my strongest skill is listening to what the client is trying to say, either through the rough mix or through conversation, and then more completely realizing there vision through mix or production.
Q: What do you bring to a song?
A: What I feel I bring to a song is 20 years of experience Recording/Mixing/producing music for top level Artists and Movies.
Q: What's your typical work process?
A: It varies from project to project, but if I am mixing. I like to work from stems. I ask for wet and dry stems. If it’s a complex session I sometimes ask for the production session and my team stems it out ourselves.
Q: Describe the most common type of work you do for your clients.
A: The most common work I do is mixing for movies and records. A close second is production