Jonathan Puentes

Mastering, Mixing, Production

Jonathan Puentes on SoundBetter

Unleash your music's true potential. Trusted by artists worldwide, my serviced tracks garner airtime support from respected artists like Paul Van Dyk, Cosmic Gate, Kyau & Albert. Premiered on top channels Mia Mendi, Progressive Dreamers. Experience professional audio engineering at affordable prices.

Hello! I'm Jonathan Puentes, also known as Ray Violet, an experienced audio professional with 15+ years in the music industry. I specialize in mastering, mixing, vocal processing, and audio production for electronic dance, pop, and hip-hop genres. My goal is to provide professional quality at competitive rates, ensuring your music shines brightly.

With my keen ear and technical expertise, I prioritize impeccable sonics to make your project commercially competitive. I deliver outstanding results, completing mastering jobs in 1-3 business days. Timelines for other projects vary based on complexity.

My mastered tracks have gained support from acclaimed platforms like Progressive Dreamers, Mia Mendi, Blanco Y Negro, and EDMSauce. They've been featured on popular Spotify playlists like Trance Mission. Moreover, my productions and collaborations have received recognition and support from renowned international artists, including Paul Van Dyk, Cosmic Gate, John Gibbons, Alexander Popov, Shane 54, and Ruben De Ronde.

Let's elevate your music to new heights! Share your project details with me today, and together we'll bring your musical vision to life.

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

Credits

Discogs verified credits for Ray Violet (2)
  • Ray Violet (2)
  • Ray Violet (2)
  • Kenneth Thomas & Ray Violet (2)
  • Mikhjian* Feat Lucy Dale Court
  • Vadim Spark & Yan Space
  • KheDa
  • Kenneth Thomas

Interview with Jonathan Puentes

  1. Q: What advice do you have for a customer looking to hire a provider like you?

  2. A: When seeking to hire a provider like me, it is important to consider the following key points. Firstly, clearly define your project goals and effectively communicate them to the provider. Secondly, review their portfolio and experience to ensure they align with your specific needs. Discuss timelines, pricing, and any potential additional costs upfront. Lastly, trust your instincts and select a provider with whom you establish good rapport. By following these steps, you can find a provider who comprehends your vision and delivers the desired results.

  3. Q: What other musicians or music production professionals inspire you?

  4. A: In today's music landscape, I draw inspiration from a wide range of sources. It could be any genre, artist, or style that catches my attention. Sometimes, it's the discovery of something new in a song that sparks my creativity—a fresh sound, an interesting technique, or simply a delightful sonic detail. I find inspiration in the innovative and resourceful approaches taken by artists. My goal is to strike a balance between originality and timeless sound quality, bringing together the best of both worlds. This combination guides my artistic vision and fuels my passion for creating music.

  5. Q: What do you like most about your job?

  6. A: What I find most fulfilling about my job is the opportunity and ability to utilize my experience and skills to optimize the sound quality of a project to the best of my ability. I derive great satisfaction from listening to the transformation from the initial state to the final result, allowing both my own projects and those of other artists to truly shine. It's a gratifying process to witness the impact of my work on the overall sound and bring out the best in the music.

  7. Q: Can you share one music production tip?

  8. A: When selecting samples, prioritize ones that already sound great. If you find a sample that matches your desired sound without much processing, take advantage of it. There are numerous libraries available with high-quality sounds that may require minimal adjustments. By minimizing the processing needed for your samples, you free up more time to focus on the creative aspects of your work.

  9. Q: What type of music do you usually work on?

  10. A: My primary focus is on electronic dance music, particularly within the genres of melodic house, trance, and techno. I thoroughly enjoy working on tracks that blend elements from these genres or any combination thereof. However, I also have experience co-producing, mixing, and mastering pop and hip-hop records. So, while my expertise lies in electronic dance music, I am versatile and capable of delivering high-quality results across various genres.

  11. Q: What's your strongest skill?

  12. A: My greatest strength lies in my critical thinking ability. This skill is fundamental in shaping my vision and guiding my decision-making process, regardless of the nature of the project I'm working on. It empowers me to determine the most effective approach and execute actions that will optimize the sonic quality of the project to the highest professional standards.

  13. Q: What do you bring to a song?

  14. A: What I bring to a song is a culmination of knowledge and awareness gained from years of experience. I harness this expertise to elevate the sonics of every element within a song, aiming to achieve optimal punch, impact, and a crisp, professional sound. My goal is to ensure that the final result is not only polished but also stands out competitively within its musical landscape.

  15. Q: What's your typical work process?

  16. A: The work process varies depending on the specific service I'm working on. However, for any type of job, the overall workflow begins with an initial analysis of the genre and desired sonic elements necessary to make the track sound competitive within its genre. Following this, I carefully choose a set of reference tracks to serve as a guide throughout the production process. As I work on the project, I continuously process and reference the track, making adjustments and improvements along the way. This iterative approach continues until the project reaches its completion. To ensure the sonic quality translates well across different playback systems, I make it a point to reference the project's sonics on as many monitoring systems as possible. By doing so, I can confidently ensure that the sound will be consistent and enjoyable regardless of the playback environment.

  17. Q: Describe the most common type of work you do for your clients.

  18. A: I specialize in a variety of services that are highly sought after by my clients. The most popular ones include mixing, mastering, and consulting. Additionally, I offer vocal processing services, which involve tuning and compressing vocal recordings to enhance their quality.

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I was the Mixing and Mastering Engineer in this production

Terms Of Service

I provide fast mastering turnaround (1-3 days) and offer 2 free revisions. Timelines for other projects depend on complexity. I prioritize quick responses and strive for exceptional results.

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