Music Producer | Mix Engineer

Q: How would you describe your style?

A: My production style is a seamless blend of classic and modern dance sensibilities. It is best described as a high-energy convergence of Disco grooves, propulsive House beats, and mainstream Pop appeal, all characterized by the distinctive use of bold Synthesizers for texture and melody.

Q: Which artist would you like to work with and why?

A: I would be thrilled to work with Bruno Mars and Dua Lipa. They both demonstrate an extraordinary understanding of rhythmic music, from classic Funk to modern Disco. The synergy between my expertise in genre fusion and their distinct performance energy and impeccable taste would result in a production that is both technically sophisticated and highly infectious, delivering pure, high-quality pop and dance music to a global audience.

Q: Can you share one music production tip?

A: My primary creative tip is to define and isolate the "emotional core" of the song early in the process. Once you identify the single most impactful element—whether it’s the vocal melody, a specific guitar riff, or a synth hook—structure all other production elements (rhythm, arrangement, texture) to relentlessly support and maximize the impact of that core idea.

Q: What type of music do you usually work on?

A: My production expertise centers around a versatile spectrum of styles, with a strong foundation in Groove-Oriented Music (including Funk, Disco, and Pop-Rock) and various forms of Electronic and Atmospheric Music (such as Chill, Lo-Fi, and Cinematic scores). As both a professional producer and guitar player, I leverage my deep instrumental knowledge to ensure adaptability across multiple genres, always prioritizing the delivery of exceptional musical quality and dedicated service.

Q: What's your strongest skill?

A: My strongest skill is creative interpretation and vision alignment. I possess a highly refined ability to swiftly and accurately discern an artist's core intent and direction for their music. This deep comprehension allows me to efficiently bridge the gap between their initial concept and the final product, strategically integrating my own production expertise and creative additions to elevate the track's quality and fully realize their artistic vision.

Q: What do you bring to a song?

A: What I bring is a commitment to unconventional creativity and a drive for constant innovation. I strive to infuse every production with a modern and distinct flavor, meticulously crafting the arrangement to establish an immediate and unique connection with the listener. This focus ensures the final song stands out and makes a lasting impact.

Q: What's your typical work process?

A: My process is collaborative and flexible, structured around the artist's needs. I specialize in two core areas: taking an initial melodic idea and transforming it into a broadcast-ready production, or developing and composing the original vocal melody for a given concept. In either scenario, I focus on maximizing the song's musical and structural potential. (Lyric writing is handled through external collaboration.)

Q: What other musicians or music production professionals inspire you?

A: My creative output is rooted in a diverse range of influences, bridging the timeless groove of Funk and Disco with the cutting-edge energy of contemporary Electronic Dance Music (EDM). I draw significant inspiration from artists who excel at blending these eras, including masters of modern funk and disco revival like Bruno Mars, Purple Disco Machine, Kool & The Gang, Chic, and Dabeull. This is complemented by the innovative production of artists defining the commercial and underground dance scenes, such as Calvin Harris, Dua Lipa, Oliver Heldens, Ian Kirkpatrick, RÜFÜS DU SOL, Blond:ish, Ofenbach, and Sigala. My goal is to synthesize these influences to produce music that is both rhythmically rich and commercially impactful.

Q: Describe the most common type of work you do for your clients.

A: I operate as a dedicated Music Producer, forging productive partnerships with both artists and corporate entities. My work is guided by a forward-thinking creative vision, compelling me to continuously challenge conventional limits and engineer results that are both new and commercially compelling.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: This is a challenging question as I don't know the duration and type of stay. It could be a leisure trip or perhaps a significant and troublesome situation. However, my preference would be to have my classical guitar, a very comfortable chair, a shade provider

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I am currently working on these albums with a friend in a 50-50 partnership. Unfortunately, due to the passing of my sister, these projects have been delayed for about two weeks. We are striving to create a unique sound in the styles of R&B and funk.

Q: What are you working on at the moment?

A: I am currently filling out these questionnaires:)) However, these days I am busy creating multiple songs for artists with different styles, and I believe they will have very successful albums.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: I have several friends on this platform that I used to work with in the past, but I need to reconnect with them and find them again.

Q: Analog or digital and why?

A: Collaborating with both digital and analog technologies has its advantages. Working with digital platforms is convenient and space-efficient, and making changes to digital mixes is relatively easy compared to analog workflows. Plugins offer speed and simplicity in music production. On the other hand, analog equipment possesses a variable nature that is constantly evolving. For instance, when I turn on my tube preamp today for recording, the sound I capture will be different from the sound I record tomorrow under the same conditions, but both can be excellent. Overall, a combination of analog and digital approaches seems to be the best choice these days. However, with advancements in technology, it is possible that analog methods will gradually become less prevalent, which I believe will be the result of scientific progress.

Q: What's your 'promise' to your clients?

A: I do it with all my heart and soul. Because I am passionate about creating music, it is my hobby and everything to me.

Q: What do you like most about your job?

A: I don't understand exactly how I created a music piece, and I'm unsure of how the time passed.

Q: What questions do customers most commonly ask you? What's your answer?

A: They mostly want me to create high-quality music for them. I usually send them samples of my work, and after listening to them, they don't require further explanation. They become interested in collaborating with me.

Q: What's the biggest misconception about what you do?

A: Just earning income from music is important to me. I believe achieving success and enjoying in music production is more significant for me.

Q: What questions do you ask prospective clients?

A: What type of music does he/she enjoy, and could you provide me with some references ?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Let's collaborate and enjoy this opportunity together. I will make every effort to implement your ideas to the best of my ability, and I also appreciate if my talents and capabilities are taken into consideration. Please listen to the work I have done so far. However, if you are interested in someone else's work that is significantly different from my style, please refrain from hiring me as an operator. I want us to enjoy this project during our collaboration.

Q: What was your career path? How long have you been doing this?

A: Since I was around 9 years old, I quietly picked up my sister's guitar and went through her music books, exploring them. Until one day, I surprised her with something special.

Q: Tell us about your studio setup.

A: My goal is to provide you with the best production possible, utilizing the high-quality equipment and unique capabilities of my own studio, while understanding and meeting your specific needs.The equipment I work with is listed below: ✅Extensive and high-quality plugin library for mixing and music production ✅RME Fireface 802 audio interface ✅Preamps: Abbey Road REDD 47 and Universal Audio Solo 610 tube upgraded ✅Beyerdynamic DT 770 Pro headphones ✅Adam A7X speakers ✅Rode K2 upgraded tube microphone ✅Guitars: Gibson Les Paul 50s Tribute, Godin Multiac Nylon Encore Natural SG, Limited Edition Player Stratocaster, Aria Handmade Nylon, Taylor 214ce DLX acoustic guitar, Valencia ukulele