Hello, my name is Garrett Corbran an I am originally from Buffalo NY. I am currently a mix engineer and music producer out off Los Angeles, California. Im currently an assistant mix engineer at Atlantic records/ APG / Warner Music group.
I have been producing and mixing music for close to six years now and I absolutely love it! Im a graduate of Icon Collective, and currently work as an assistant engineer at Atlantic Records / APG / Warner music. Client needs come first for me, so I take pride in giving you the absolute best product. I look forward to working with you to grow your musical aspirations!
Tell me about your project and how I can help, through the 'Contact' button above.
Interview with Garrett Corbran
Q: What do you like most about your job?
A: I love working with music. It makes time fly by because it always keeps me so engaged.
Q: How would you describe your style?
A: All I care about it making hit records. I don't get emotionally attached to the work, so even if its a genre I don't particularly enjoy, I just want to give you the BEST product possible.
Q: What's your 'promise' to your clients?
A: Professional, commercial quality work.
Q: What other musicians or music production professionals inspire you?
A: Dave Pensado, Michele Lorfida, Cole Nystrom, Robbie Burrell
Q: What advice do you have for a customer looking to hire a provider like you?
A: Im incredibly flexible so never be afraid to send me a message searching for your exact needs and budget.
Q: What was your career path? How long have you been doing this?
A: Music producer and Mix Engineer. I have been working on music for 6 years now.
Q: What type of music do you usually work on?
A: "Edm" (Trap, dubstep) , Pop, Hip Hop
Q: What's your strongest skill?
A: Music production.
Q: What do you bring to a song?
A: Commercial quality, processional sound to your final product.
Q: Tell us about your studio setup.
A: First - is a 28’ x 22’ studio built to world-class acoustical standards and features a custom Argosy production desk,with a dedicated vocal booth. Also an Avalon 737 class A microphone preamplifier, a Focusrite Scarlett 6i6 audio interface, a 70” display, and a PreSonus Control Station to manage KRK RP10 monitors, Focal Alpha 80 monitors, and a Hafler TRM subwoofer. Second - a 15’ x 25’ acoustically designed recording suite. It includes a control room with a custom Argosy production console, as well as a dedicated vocal booth. Also features an Avalon 737 class A microphone preamplifier, a Focusrite Scarlett 6i6 audio interface, a 70” display, and a PreSonus Control Station to manage Mackie HR824 monitors, KRK RP 10-3 monitors, and a Hafler TRM 12 subwoofer.
Q: Describe the most common type of work you do for your clients.
A: Mixing, Music Production, Mastering
- ProducerAverage price - $800 per song
- Mixing EngineerAverage price - $100 per song
- Mastering EngineerAverage price - $50 per song
- Dialogue EditingAverage price - $50 per minute
- RemixingAverage price - $450 per song
- Recording StudioAverage price - $200 per day
- Vocal TuningAverage price - $100 per track
- KRK RP 10 monitors
- Focal Alpha 80 monitors
- Mackie HR824 monitors
- and a Hafler TRM subwoofer
