C² ArtLab

Mixing Foley Sound desing Edit

C² ArtLab on SoundBetter

C² Artlab is a studio dedicated to the mixing and mastering of commercial music with experience in musical composition, editing and creation of foley and sound design for audiovisual media.

C² is a studio founded in Medellin, Colombia. Formed by Camilo Bermeo, an audio and sound technician, and Camila Goez, a professional in recording arts. At the ITM we are specialized in sound production for audiovisual media (foley music, sound design, editing and synchronization).
also in audio mixing and mastering and editing of all types of sound.
We are a creative team with an excellent workflow

Contact me through the green button above and let's get to work.


  • English
  • Spanish

Interview with C² ArtLab

  1. Q: What was your career path? How long have you been doing this?

  2. A: For about 10+ years.

  3. Q: Which artist would you like to work with and why?

  4. A: Tool, they are very different.

  5. Q: What type of music do you usually work on?

  6. A: Rap, Hip-Hop, Pop, Rock

  7. Q: What's your strongest skill?

  8. A: My strongest skill is in sound design and post-production. I excel in creating immersive soundscapes, enhancing audio quality, and fine-tuning every aspect of a project to perfection. Whether it's adding creative sound effects, optimizing audio clarity, or mastering the final mix, I bring a high level of expertise and precision to every project I work on.

  9. Q: What do you bring to a song?

  10. A: We bring a blend of creativity, technical expertise, and passion to every song I work on. As a sound designer and music producer, my role is to enhance the emotional impact and sonic quality of a song, ensuring that it resonates with listeners on a deeper level. One of my strengths is my ability to craft immersive soundscapes that elevate the overall mood and atmosphere of a song. Whether it's through intricate sound design elements, dynamic audio effects, or carefully curated instrumentation, I strive to create a captivating auditory experience that captivates and engages the audience. Additionally, my technical proficiency allows me to implement advanced audio processing techniques, such as noise reduction, EQ adjustments, and spatial effects, to achieve a polished and professional sound. I pay attention to every detail, from subtle nuances in the mix to the overall balance and clarity of the music. Moreover, I bring a collaborative mindset to the table, working closely with artists to understand their vision and translate it into musical reality. I value communication, feedback, and collaboration, ensuring that the final product aligns with the artist's creative vision and exceeds expectations. In essence, what I bring to a song is a unique combination of creativity, technical excellence, and a deep passion for music, resulting in impactful and memorable musical experiences.

  11. Q: What's your typical work process?

  12. A: Our typical work process is structured around enhancing the creative journey while ensuring client satisfaction and promoting teamwork. Beyond the traditional stages of pre-production, production, and post-production, I integrate additional elements to elevate the overall experience. During pre-production, I collaborate closely with clients to understand their vision and goals thoroughly. This includes brainstorming creative ideas, developing concepts, and outlining project timelines and milestones. By fostering open communication and transparency, I lay a solid foundation for a successful collaboration. In the production phase, I leverage my skills and expertise to bring concepts to life. Whether it's recording audio, designing soundscapes, or composing music, I strive for excellence in every aspect of the creative process. I also encourage active involvement from team members, fostering a collaborative environment that nurtures innovation and diverse perspectives. Post-production is where I fine-tune and polish the project to perfection. I prioritize client feedback and conduct thorough revisions to ensure that the final product aligns with their expectations and requirements. This iterative approach not only enhances client satisfaction but also fosters continuous improvement and learning within the team. Ultimately, my work process is centered on creativity, client-centricity, and teamwork, culminating in deliverables that exceed expectations and leave a lasting impact.

  13. Q: Tell us about your studio setup.

  14. A: Our studio setup is designed to facilitate a versatile and professional audio production environment. I utilize both a Mac and a normal PC to leverage different software and workflows effectively. For audio interfaces, I rely on a PreSonus Studio 2-channel interface and a Focusrite Scarlett 4-channel interface, providing flexibility in recording multiple inputs simultaneously. To manage and fine-tune audio signals, I utilize a Xenyx 1202FX Behringer mixer, ensuring precise control over levels and effects. My microphone collection includes an Audio-Technica AT2020 condenser microphone for crisp and detailed recordings, a Shure SM58 for versatile vocal performances, and a Rode NTR ribbon microphone for capturing warm and natural sounds. For monitoring and playback, I trust KRK audio monitors to deliver accurate and balanced sound reproduction, complemented by Audio-Technica headphones for detailed monitoring during recording and mixing sessions. Additionally, I have access to various instruments, including a piano, to add live elements and musicality to my productions. Incorporating these tools, along with other fun yet useful gadgets like a pad for creative input, enables me to create professional-grade audio content with precision, creativity, and sonic excellence.

  15. Q: What other musicians or music production professionals inspire you?

  16. A: I draw inspiration from a diverse range of musicians and music production professionals who have made significant contributions to their respective fields. Specifically, Hans Zimmer's mastery in creating captivating soundtracks resonates with me, as his compositions evoke powerful emotions and enhance storytelling in film. In the realm of sound design, I am inspired by Ben Burtt, whose innovative techniques have set new standards and pushed the boundaries of audio creativity. Additionally, Sylvia Massy's approach to music production, characterized by experimentation and unconventional methods, serves as a source of inspiration for my own creative endeavors. These individuals exemplify excellence in their craft and continue to inspire me to explore new possibilities and refine my skills in music production and sound design.

  17. Q: Describe the most common type of work you do for your clients.

  18. A: We mostly do audio post production for visual media this includes, foley if necessary, sound design, dialogue mix and general mixing. We also record podcasts and edit them. We also have experience in musical production, recording artists and also doing post production for them, including mixing and mastering.

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