
Ghost Producer & Mix Engineer | Dancefloor, Jump Up & Neurofunk | UKF, Viper
With 9+ years of experience, I am the main producer behind the DnB duo Jrace & Albert White. My sound design and engineering have secured major releases on UKF, Viper Recordings, and DnB Allstars.
My specialty is the 175 BPM spectrum: massive Dancefloor, gritty Jump Up, and technical Neurofunk. As a Ghost & Co-Producer, my goal is simple: execute your vision to industry standards. Whether building a track from scratch or finishing a rough WIP, we build the project together.
Beyond my own releases, I am an official Sound Designer for Loopcloud and Noise Masters. This deep technical background allows me to take on heavy Bass Music and Techno projects demanding serious low-end weight and raw club energy.
Services to get your track release-ready:
Ghost Production: 100% original, uncredited tracks tailored to your exact style.
Co-Production: Send your stems; I add custom sound design and arrangement to finish it.
Production Feedback: Honest, actionable advice before we commit to the final bounce.
Mix & Master: Perfect phase alignment & competitive loudness using my top-label chains.
Let's stop guessing and start releasing. Send me your demo or references!
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
Discogs verified credits for Jrace & Albert WhiteLanguages
- English
- Portuguese
- Spanish
Endorse Jrace7 Reviews - 1 Repeat Client
check_circleVerifiedGreat work, very communicative, very knowledgeable, and easy to work with. Will definitely be back.

Helped me with my first release on a record label. Is constantly helping me improve at my own producing. Great communication on and off calls. There seriously isn't a better person in this industry than this lad.
Actual legend :D
Helped me with my first release on a record label. Is constantly helping me improve at my own producing. Great communication on and off calls. There seriously isn't a better person in this industry than this lad.
Actual legend :D
Helped me with my first release on a record label. Is constantly helping me improve at my own producing. Great communication on and off calls. There seriously isn't a better person in this industry than this lad.
Actual legend :D
Increible!! Merece la pena totalmente contar con los servicios de Jrace! Me ha ayudado mucho tanto en mix como master, ademas de sugerirme cambios en fase de producción. Todo ello consiguiendo sacar un resultado top mundal!!!

Everything was excellent. He is a professional who is committed to his work and always concerned with meeting my needs. Definitely highly recommended.

Nice work! Good communication, he works really well and he make it really fast!
Interview with Jrace
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: One project I’m especially proud of is my work as the main producer for my duo Jrace & Albert White. In less than a year, we’ve released tracks on top labels such as UKF, Viper, and DnB Allstars, along with other respected outlets. My role included full production, sound design, arrangement, and overseeing the final mix and master, ensuring each track was polished, powerful, and ready for release. I’m proud of this project because it demonstrates my ability to create high-quality music that competes on an international level, while pushing creative boundaries in Jump Up and Future DnB.
Q: What are you working on at the moment?
A: At the moment, I’m working on a mix of projects across Drum & Bass, EDM, and melodic Jump Up, including both my own productions and client tracks. I’m focusing on designing futuristic sounds, crafting powerful basslines, and delivering polished mixes and masters ready for release on international labels like UKF, Viper, and DnB Allstars.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I focus primarily on delivering the best results for my clients myself, so I don’t usually refer other providers. That said, I’m aware that SoundBetter hosts many talented professionals, and I encourage clients to look for engineers or producers whose style and experience best match their project if they ever need something outside my expertise.
Q: Analog or digital and why?
A: I primarily work digital/in-the-box, because today the most important factor is skill and workflow, not the amount of hardware you own. Modern DAWs and high-quality plugins allow me to produce, mix, and master tracks at a professional level, with precision, versatility, and creative freedom. That said, I still value analog gear for its unique character and warmth, and I sometimes incorporate it when it adds something special to the sound. But the core of my work relies on digital tools and expert technique.
Q: What's your 'promise' to your clients?
A: My promise to clients is to deliver professional, polished, and impactful music that meets their vision and goals. I commit to clear communication, adaptability across genres, and multiple revisions if needed, ensuring every project sounds its absolute best. Whether it’s producing, mixing, mastering, or ghost production, I guarantee a result that is powerful, unique, and ready for release.
Q: What do you like most about your job?
A: What I like most about my job is turning ideas into professional, polished music. I love the creative process of designing sounds, arranging tracks, and shaping mixes that not only sound powerful but also connect emotionally with listeners. I also enjoy the versatility — being able to work across genres, from hard or melodic Jump Up and Future DnB to EDM, Pop, Urban, or orchestral-inspired music — and helping artists bring their vision to life while adding my own perspective and expertise.
Q: What questions do customers most commonly ask you? What's your answer?
A: Common questions clients ask me include: “How long will it take?” I explain that timing depends on the complexity of the project, the number of revisions, and whether it’s mixing, mastering, or full production, but I always provide clear estimates upfront. “Will it sound professional on all systems?” I assure clients that I mix and master to translate well across headphones, speakers, and streaming platforms, using industry-standard techniques and high-quality plugins. “Can you work in my style?” I emphasize my versatility, showing that I can adapt to various genres — from hard or melodic Jump Up to Future DnB, EDM, Pop, Urban, and orchestral-influenced music. “Do you offer revisions?” I always clarify that I provide multiple revisions to make sure the client is completely satisfied while maintaining a professional workflow.
Q: What's the biggest misconception about what you do?
A: The biggest misconception about what I do is that people often think producing, mixing, or mastering is just pressing buttons or using presets. In reality, it’s about understanding the music, the artist’s vision, and how to translate that into a polished, professional track. It requires technical skill, creativity, and experience to balance frequencies, dynamics, and arrangement, making sure every element works together and sounds powerful across all systems. It’s this combination of artistic and technical expertise that truly makes a difference in the final result.
Q: What questions do you ask prospective clients?
A: When I work with a new client, I usually ask questions like: What’s your vision for the track? Understanding the mood, style, and energy you want is essential. Do you have references or inspiration tracks? This helps me align my work with your expectations. What stage is the project at? Knowing whether it’s a full production, stems, or just mixing/mastering helps me plan the workflow. Are there specific elements you want emphasized? This ensures the final track highlights what’s most important to you. What’s your deadline or release plan? Timing can affect workflow and priorities. These questions let me adapt my skills to the client’s goals, whether it’s producing, mixing, mastering, or ghost production, ensuring the final result is professional and exactly what they envisioned.
Q: What advice do you have for a customer looking to hire a provider like you?
A: My advice for a client looking to hire a provider like me is to look for someone who understands your vision and can adapt to your style, not just someone who knows the tools. A good producer or engineer should be able to translate ideas into professional-quality music, offering guidance and suggestions while respecting the artist’s intent. Also, check their track record and versatility: a provider with experience across genres and with real releases demonstrates they can handle any challenge and deliver polished, competitive results. Communication and clarity about your goals are just as important as technical skills.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: If I were on a desert island and could take just 5 pieces of gear, I’d choose tools that cover production, mixing, and mastering efficiently: FL Studio – my main DAW, perfect for composing, arranging, and producing any style. Serum – a versatile synth for designing modern sounds and powerful basslines. FabFilter Pro-Q – essential EQ for precise frequency shaping. iZotope Ozone – mastering suite to polish tracks professionally. Valhalla Reverb – high-quality reverb for depth and space in mixes. Even without a full studio, these tools allow me to produce, mix, and master tracks at a professional level, proving that skill and workflow are more important than hardware.
Q: What was your career path? How long have you been doing this?
A: I’ve been working in music production for over 7 years, with a background as a certified sound engineer and certifications in mixing, mastering, and sound design. My career started producing my own tracks and expanded into ghost production, co-production, mixing, and mastering for other artists. In addition, as the main producer of my duo Jrace & Albert White, we’ve released tracks in less than a year on top labels such as UKF, Viper, and DnB Allstars, among others. This combination of technical expertise, creative experience, and real-world releases allows me to deliver professional, polished, and genre-appropriate music for any project.
Q: How would you describe your style?
A: I don’t limit myself to just one style, but my main focus is hard or melodic Jump Up Drum & Bass, sometimes exploring Future DnB in the vein of Camo & Krooked. I like combining energy, punchy basslines, and melodic or futuristic elements to create tracks that are both powerful and dynamic, while remaining versatile enough to adapt to different sounds and ideas.
Q: Which artist would you like to work with and why?
A: I would love to work with artists like Kanine, Reaper, Camo & Krooked, or Tantron. Their ability to combine high-energy drops, heavy basslines, and futuristic sound design perfectly aligns with my own style. Collaborating with them would be an amazing opportunity to push creative boundaries, exchange ideas, and contribute my production, mixing, and mastering skills to deliver tracks that are powerful, innovative, and club-ready.
Q: Can you share one music production tip?
A: One tip I always follow in music production is: treat every element of the mix as if it has its own space. Use EQ, panning, and volume automation to give each instrument or sound its place, avoiding frequency clashes and keeping the mix clear and powerful. A well-organized mix not only sounds better but also makes mastering much easier and more effective.
Q: What type of music do you usually work on?
A: I usually work on Drum & Bass, EDM, and dancefloor-focused music, often blending energetic drops with melodic or futuristic elements. I also produce and work on Pop, Urban, and orchestral-influenced tracks, adapting my skills to suit a wide range of styles. This versatility allows me to support artists across genres, whether it’s producing, mixing, mastering, or ghost producing, always delivering high-quality, professional results.
Q: What's your strongest skill?
A: My strongest skill is bringing clarity, power, and emotion to every track through professional mixing and mastering. I excel at balancing frequencies, dynamics, and stereo imaging to make songs sound polished and competitive on any platform. Beyond technical precision, I’m also highly versatile, able to adapt to different genres—from Drum & Bass and EDM to Pop, Urban, and orchestral music—while keeping each track unique and aligned with the artist’s vision.
Q: What do you bring to a song?
A: I bring a combination of technical expertise, creativity, and musical vision to every song. Whether it’s a mix, a master, or a full production, I focus on making the track sound polished, powerful, and emotionally engaging. I can enhance arrangements, design unique sounds, and add professional-level processing to make every element shine. With experience as a producer, mixer, and ghost producer, I’m able to adapt to any genre or style, helping artists realize their vision while adding my own perspective to create something fresh, energetic, and memorable.
Q: What's your typical work process?
A: My typical work process starts with understanding the client’s vision — whether it’s a full track, stems for mixing, or a concept for ghost production. I focus on preparing the session carefully, cleaning and organizing tracks, gain staging, and ensuring everything is ready for an efficient workflow. For production, I develop ideas, sounds, and arrangements, drawing from my influences in Drum & Bass, EDM, and other genres, while keeping the client’s style and goals in mind. In mixing and mastering, I carefully balance frequencies, dynamics, and stereo imaging using high-quality plugins, ensuring the final track is polished, powerful, and ready for release. Finally, I review the work with the client, making adjustments and delivering multiple revisions if needed, always guaranteeing a professional, high-quality result. My workflow is flexible and versatile, allowing me to adapt to any genre or style while maintaining the highest standards.
Q: Tell us about your studio setup.
A: Over the years, the role of the studio has changed a lot. Today, what really makes the difference is not how much hardware you own, but how you use the tools at your disposal. I work mainly with a powerful in-the-box setup, using industry-standard DAWs and a carefully selected collection of high-quality plugins for mixing, mastering, and sound design. From advanced EQs and compressors to cutting-edge synths and effects, my plugin library allows me to cover everything from polished radio-ready mixes to innovative and futuristic productions. This setup, combined with my experience, ensures that every project I deliver sounds professional and competitive on any platform or label.
Q: What other musicians or music production professionals inspire you?
A: My music is strongly influenced by Drum & Bass artists such as Kanine, Reaper, Camo & Krooked, and Tantron, whose balance of energy, innovation, and atmosphere constantly inspires me. While these names shape much of my personal sound, I’m extremely versatile when working with clients — adapting to genres ranging from EDM and Pop to Urban music and even orchestral scores. This flexibility comes not only from my experience as a producer, mixer, and mastering engineer, but also from studying the approach of industry-leading professionals who seamlessly cross genres, like Skrillex, who has proven that creativity has no boundaries. That mindset pushes me to deliver productions that sound unique, powerful, and perfectly tailored to each client’s vision.
Q: Describe the most common type of work you do for your clients.
A: The most common type of work I do for my clients is professional mixing and mastering, making sure every track is polished, powerful, and ready for release on platforms and labels. In addition, I often work as a ghost producer and co-producer, creating complete tracks or supporting artists in shaping their ideas into high-quality productions.

I was the Producer, Mixing and Master engineer in this production
- Ghost ProducerContact for pricing
- Mixing EngineerContact for pricing
- Mastering EngineerContact for pricing
- RemixingContact for pricing
- Sound DesignContact for pricing
• 5 revision rounds included (technical tweaks, no major structural changes).
• Turnaround: 3-5 days.
• Sound Design & Remixing: DM me for a custom quote.
- Kanine
- AC13
- TANTRON
- Universal Audio Apollo Solo
- Universal Audio (UAD) Plugins
- FabFilter Pro Suite
- iZotope Ozone Advanced
- Oeksound Soothe2 & Gullfoss
- Xfer Serum
- Vital
- Soundtoys Bundle
- Kilohearts Ultimate
If you are working with me the first time you will get a 30% discount



