Electronic music production with an European vibe
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Credits
Interview with ZVW
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: A remix project "Noisy Boys". I took a track I originally made back in 2018. I reworked the bass and the kick — basically, the low end. Then I restructured the arrangement a bit. That’s all. I sent a rough demo, just to get an artist’s opinion. They forwarded it to the label exactly as it was. And they picked it for release. Once again, it got selected even though I hadn’t even mixed it yet. (mix as you go method)
Q: What are you working on at the moment?
A: Anything that inspires me at any given moment
Q: Analog or digital and why?
A: Digital. Speed and recall
Q: What's your 'promise' to your clients?
A: I first need to be happy with it before providing anything
Q: What do you like most about your job?
A: Passion doesn't count the hours, results neither.
Q: What's the biggest misconception about what you do?
A: I’m not sure if this is really about what I do specifically, or just music in general. Whether it’s music from the ’60s, metal, rock, trap, or electronic — sometimes I hear a song from some distant time, with no idea who the artist is. And yet, I know the chords. I know the lyrics. Even though five minutes earlier, I didn’t even realize I knew the track. It just shows how deeply music gets buried in the brain — across styles, across eras. Saying I make “electronic music” is really just a simplified, modern label. But like they say, it’s only the tip of the iceberg.
Q: What questions do you ask prospective clients?
A: The first: To know what you have in mind, I actually need to listen to it. For example: For Star Wars, or benhur (the original) you would have given: Gustav Holst - Mars. Then I know what to do.
Q: What advice do you have for a customer looking to hire a provider like you?
A: A clear vision makes a clearer result. To know what you have in mind, I actually need to listen to it
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Does the island has electricity?
Q: What was your career path? How long have you been doing this?
A: I sang mozart before I could speak (recorded on tape).
Q: How would you describe your style?
A: I don't know about style, but I need ambiance, flow, inspiration. Without it, I go nowhere
Q: Which artist would you like to work with and why?
A: It's not about an artist in particular, it's about humans
Q: Can you share one music production tip?
A: Mix as you go with mix balance in mind: I don't ever really mix my tracks. Everything's done during the first core ideas and the arrangement/producing process. When I finish the arrangement, the track is pretty much done.
Q: What type of music do you usually work on?
A: Electronic music is vast. Everyday is a new vibe, so I listen to today's vibe first.
Q: What's your strongest skill?
A: Once a have the vision of the track come to me, I know what to do.
Q: What do you bring to a song?
A: Better low end, overall balance, my style (music speaks to me, so I simply listen)
Q: What's your typical work process?
A: Go the fastest possible to the finish. Do not waste energy or flow, instead I use it to go all the way to the end.
Q: Tell us about your studio setup.
A: Of 250+ gears and plugins? I use a handful of them
Q: What other musicians or music production professionals inspire you?
A: Francis Buckley thought me how to mix drums in 5 minutes. Andrew Scheps thought me to stay "In-the-box"
Q: Describe the most common type of work you do for your clients.
A: Electronic music. A to Z. Compose/write, arrange, mix and mastering.
