
Audio engineer with experience in music, film, and voice — foley, mixing, and post-production for all kinds of projects.
Hi! I'm an Audio Engineer with a passion for sound and storytelling. I specialize in music mixing, film post-production, voice recording, and foley creation.
🎧 In the music world, I love mixing vocals and full songs across all genres — with special experience in regional Mexican and Latin pop. I make sure your track sounds polished, emotional, and ready to release.
🎬 In the audiovisual field, I work on:
Voice recording for dubbing and post-production
Foley design and recording
Complete audio mixing for short films and feature films
Whether you're an artist, filmmaker, or content creator, I bring a detailed, professional, and creative approach to every project. I understand how important it is to bring your vision to life through sound.
Let’s work together — I’d love to hear about your project!
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Languages
- English
- Spanish
Interview with Toto.wav
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Altamar-Alex Murillo It is a very beautiful song and very rich in instruments. I really enjoyed mixing it.
Q: What are you working on at the moment?
A: nothing
Q: Analog or digital and why?
A: Digital because we have a little more flexibility, although if I could, analog would be the best quality.
Q: What's your 'promise' to your clients?
A: Your songs will sound on another level
Q: What do you like most about your job?
A: listen to the final result with the master
Q: What's the biggest misconception about what you do?
A: not mixing or not knowing how to achieve a good volume level
Q: What questions do you ask prospective clients?
A: Do you have PayPal?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Go with someone who is educated and has been doing it for several years.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: computer, headphones, interface, microphone (shure57) microphone cable and all necessary cables haha
Q: What was your career path? How long have you been doing this?
A: 3 years of Bachelor's degree in Audio Engineering and Music Production
Q: How would you describe your style?
A: versatile and dynamic
Q: Which artist would you like to work with and why?
A: I don't know
Q: Can you share one music production tip?
A: A good recording makes the difference
Q: What type of music do you usually work on?
A: any genre, but also regional Mexican and Latin pop
Q: What's your strongest skill?
A: the mix
Q: What do you bring to a song?
A: body, and a good level of volume in each instrument
Q: What's your typical work process?
A: A good level of true peak and good panning is what makes the difference in a good mix.
Q: Tell us about your studio setup.
A: It is a basic studio with Yamaha monitors, Sony headphones and perfect acoustics for mixing.
Q: What other musicians or music production professionals inspire you?
A: Nacho sotelo, bruce swendien, marcelo rivera levy
Q: Describe the most common type of work you do for your clients.
A: Mix
- Dolby Atmos & Immersive AudioAverage price - $700 per song
- Dialogue EditingAverage price - $150 per minute
- Mixing EngineerAverage price - $400 per song
- Podcast Editing & MasteringAverage price - $75 per podcast
- Post MixingAverage price - $200 per minute
- Sound DesignAverage price - $400 per minute
- Neton Vega
- Natalia Lafourcade
- Michael Jackson
- Sony headphones
- Yamaha monitors