Remote Mix and Master

Q: What type of music do you usually work on?

A: rock pop alternative

Q: What do you bring to a song?

A: I bring artistic vision, attention to detail, and a deep respect for the artist’s identity. Whether I’m mixing, mastering, or involved in the full production, I aim to enhance the emotional impact of the song while making it clear, powerful, and honest. I also help shape structure and arrangement when needed, always serving the music.

Q: What's your typical work process?

A: My process usually starts with a rough mix to establish the overall color and emotion I’m aiming for. Then, after some time and perspective, I refine the mix with more detailed work—cleaning up elements, adjusting space and balance, and making sure the song’s ideas come through clearly. I always focus on enhancing the feeling and keeping the artist’s vision at the center.

Q: Tell us about your studio setup.

A: I mix and master fully in-the-box using Logic Pro, with plugins from UAD, Waves, FabFilter, oeksound, and more. My studio is acoustically treated and I use Mackie monitors calibrated with IK Multimedia ARC to ensure accurate translation. My goal is to deliver emotionally engaging, clear, and competitive mixes—no matter the source.

Q: What other musicians or music production professionals inspire you?

A: I’m inspired by the constant need to grow, improve, and learn something new—regardless of budget or gear. I believe every artist deserves to leave my studio sounding better than when they came in. That mindset pushes me to give my best on every project.

Q: Describe the most common type of work you do for your clients.

A: The most common work I do is full post-production: mixing and mastering songs that were recorded in home studios, rehearsal rooms, or professional studios. I also offer artistic guidance—helping artists shape the final structure and emotional flow of the song. My goal is always to enhance what’s already there, respecting the original vibe and making it competitive.