Mix, Master & Sound Design

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I'm really proud of my beat tape, Headspace as well as the a single I produced with King Cruff, Solo YT & Jag Huligin called Baddest. You can find both of these on all streaming platforms.

Q: What are you working on at the moment?

A: Currently I'm focused on a sequel to my beat tape with Graphwize, GRITS, as well as a project with another producer, Cedar Law$. I'm also working with a few local Rap artists in The Bahamas, including Von Trap and Slawta House Music.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: If there was one person I'd recommend, it would be Graphwize. He is very personable, does amazing work, and shows great attention to detail.

Q: Analog or digital and why?

A: Both. I love the color and depth analog offers, but digital gives unmatched precision and recall, as well as flexibility. I combine them for the best of both worlds.

Q: What's your 'promise' to your clients?

A: I’ll treat your music with the same care and intention I give my own. Your vision, translated professionally and on time.

Q: What do you like most about your job?

A: Elevating someone’s raw creative energy into a final product they’re proud of.

Q: What questions do customers most commonly ask you? What's your answer?

A: “Can you make my track sound like (insert artist)?” — Yes, I can match the vibe, but I’ll always make sure your own sound comes through.

Q: What's the biggest misconception about what you do?

A: That mixing fixes everything. A great mix enhances what’s already there—it doesn’t rewrite the song.

Q: What questions do you ask prospective clients?

A: What’s your sonic vision? Do you have references? How much creative freedom are you comfortable with? What’s your deadline?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Know your vision and reference tracks. A great mix starts with strong communication, not just gear.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: My Laptop, ZOOM U-44 Interface with Mic attachments, a good pair of headphones like the Audio Technica ATH M50x, a versatile MIDI instrument like the OP-1, and a 2TB hard drive.

Q: What was your career path? How long have you been doing this?

A: I started in music production over 10 years ago, earned a diploma in Music Industry Arts, and a certificate in Audio Post Production. I’ve mixed, mastered, and sound-designed for artists and games since.

Q: How would you describe your style?

A: Clean, warm, and emotionally tuned. I focus on modern, competitive mixes that still feel human.

Q: Which artist would you like to work with and why?

A: If it's R&B, probably Brent Faiyaz. For Hip-Hop, probably would have to choose Roc Marciano or JPEGMAFIA.

Q: Can you share one music production tip?

A: Less is more. Don't overthink and be mindful of fatigue when creating.

Q: What type of music do you usually work on?

A: Primarily Hip-Hop, R&B, Electronic, Trap, and sound design for game audio. I’ve also worked on ambient, pop, and hybrid genre projects.

Q: What's your strongest skill?

A: My attention to detail and an ear for vocal presence and balance, especially in R&B and Hip-Hop. I know how to make a voice sit right in the mix while leaving space for the beat to breathe.

Q: What do you bring to a song?

A: Clarity, punch, and emotional balance. I help make the artist’s vision hit harder while still feeling authentic and polished.

Q: What's your typical work process?

A: I start with a deep listen to the artist’s references and rough mix. Then I build the mix in layers—prioritizing vocals and low-end first. I check translation across devices and refine with feedback.

Q: Tell us about your studio setup.

A: I have a wide array of professional plugins for Mixing, Mastering, Production and Sound Design. I have a few select pieces of hardware for my stationary setup, as well a handy 'toolkit' of equipment for work on the go!

Q: What other musicians or music production professionals inspire you?

A: I’m inspired by a wide range of producers like Kaytranada, Flying Lotus, Sounwave, J Dilla, Odetari, BNYX, MexicoDro and many more. I listen to a huge variety of different artists and I am an avid consumer of many genres.

Q: Describe the most common type of work you do for your clients.

A: Mixing and mastering tracks for independent and signed artists—mainly in Hip-Hop, R&B, Trap, and Electronic. I also work on instrumental production and sound design for games.